Showing posts with label Horror. Show all posts
Showing posts with label Horror. Show all posts

Call for nominations for the SFFANZ Sir Julius Vogel Awards.

Nominations are now being accepted for the SFFANZ 2015 Sir Julius Vogel Awards (see below for link/details) and I have two books that are eligible for the ballot this year: Dreams of Thanatos: Collected Macabre Tales and Corpus Delicti: Selected Poetry.




The nomination period will close at 8.00pm on 31st January 2015. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2014 calendar year.

Anyone can make a nomination and it is free! To make a nomination please email sjv_awards@sffanz.org.nz

Just copy and paste the following info (for one or both) into the body of your email:

WHAT to Put On the Nomination

For Dreams of Thanatos: Collected Macabre Tales

ESSENTIAL Information
This is to enable SFFANZ to verify and process the nomination.
  1. Name / Title of work - Dreams of Thanatos: Collected Macabre Tales
  2. Name of Producer / Author / Creator - William Cook
  3. What the work is i.e. - Collection (Short Fiction)
  4. Year of First Release - 2014
  5. What category you think the nomination belongs to - Professional Awards - Best Collected Work
  6. GENRE - Horror
  7. Contact details of the person making the nomination e.g. email or/and phone number
NOTE : If the only contact details you have are the publisher's contact information on the book you are nominating, that should be sufficient.

HELPFUL Information But NOT Essential
  1. Publisher / Production company name - King Billy Publications
  2. How to contact the producer / author - williamcookauthor@gmail.com, 64 4 385 2456
  3. Other details about the work, that might be relevant - Print, Mobi, Epub
  4. Where to get a copy of the work - Amazon, Kobo, Author
  5. Any other comments you wish to add
 ****************************************************************

For Corpus Delicti: Selected Poetry

ESSENTIAL Information
This is to enable SFFANZ to verify and process the nomination.
  1. Name / Title of work - Corpus Delicti: Selected Poetry
  2. Name of Producer / Author / Creator - William Cook
  3. What the work is i.e. - Collection (Poetry)
  4. Year of First Release - 2014
  5. What category you think the nomination belongs to - Professional Awards - Best Collected Work
  6. GENRE - Horror
  7. Contact details of the person making the nomination e.g. email or/and phone number
NOTE : If the only contact details you have are the publisher's contact information on the book you are nominating, that should be sufficient.

HELPFUL Information But NOT Essential
  1. Publisher / Production company name - James Ward Kirk Fiction (U.S.)
  2. How to contact the producer / author - williamcookauthor@gmail.com, 64 4 385 2456
  3. Other details about the work, that might be relevant - Print, Mobi, Epub
  4. Where to get a copy of the work - Amazon, Kobo, Author
  5. Any other comments you wish to add
 ********************************************************************************

HOW Many Times May You Nominate?


  1. You may nominate as many works as you feel is appropriate.
  2. You may nominate more than one eligible work in the same category. This would suit people who are major fans of one media in particular e.g. people who read a lot of books or short stories.
  3. You may nominate the same work in multiple categories if it fits the criteria of those categories.
  4. You MAY NOT nominate a work more than once in any given category.

The rules, criteria and categories for the awards can be found by clicking this link. Guidelines for nominations can be found by clicking this link.

*Remember - You don’t need to be a member of any group or organization to vote/nominate, so if you've read my eligible work, why not show your appreciation and support by taking a moment to cast a nomination? I'd really appreciate a nomination as it would be a massive boost to my career as a writer if I won an award like this, or even if my work reached the final ballot.

The categories are (my *books are eligible in the underlined categories):

Professional Categories:
Best Novel
Best Youth Novel
Best Novella or Novelette
Best Short Story
 

*Best Collected Work
Best Artwork
Dramatic Presentation
Best Production/Publication

*Best New Talent 
Fan Categories:
Best Fan Writing
Best Fan Artwork
Best Fan Production/Publication 

Special Awards:
Services to Fandom
Services to Science Fiction, Fantasy or Horror

 
Once again, the two books I have that are eligible this year are:
Dreams of Thanatos: Collected Macabre Tales and Corpus Delicti: Selected Poetry

Of course, these two titles are just a few of the works eligible for nominations, so have a read, take a look and cast away, me hearties.

Thanks for reading and voting (hopefully).



Anthology Appearances - check 'em out!

Thought it was about time I gave a shout out to some of the publishers who've taken a chance on my work over the past few years; in particular, James Ward Kirk Fiction and Nicholas Grabowsky from Black Bed Sheet Books. Here is the complete list (including links) of anthologies in which my stories have appeared, in reverse chronological order. The title denotes the anthology name/title and the following title is the name of the story/poem of mine that appears therein.


JWK Fiction Best of Horror 2013 - 'Return of the Creep'
http://www.amazon.com/JWK-Fiction-Best-Horror-2013/dp/0692269398/ref=la_B004A30AHQ_1_5?s=books&ie=UTF8&qid=1407974129&sr=1-5


 Terror Train Anthology - 'One Way Ticket'


Serial Killers Quattor - 'Pretty Boy'
http://www.amazon.com/Serial-Killers-Quattuor-James-Ward/dp/0692023453/ref=sr_1_sc_2?s=books&ie=UTF8&qid=1407974493&sr=1-2-spell&keywords=serial+killers+quattor

Memento Mori - 'The Kaleidoscope Kid'
http://www.amazon.com/Memento-Mori-Remember-That-Will/dp/0615998585/ref=sr_1_31?s=books&ie=UTF8&qid=1407972543&sr=1-31&keywords=james+ward+kirk+fiction 
 
Ugly Babies (Vol II) – ‘Conceived By Death’

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Bizarro, Bizarro: An Anthology – ‘The Colony’

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Songs For The Raven - ‘Til Death Do Us Part’, ‘Aspects of Infinity’

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Four Ghosts – Dead and Buried (Novella)

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Splatterpunk Saints Anthology – ‘King of Terrors’, ”Til Death Do Us Part’

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Read Us Or Die – ‘Burnt Offerings’,'The Reader’

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Serial Killers tres tria – ‘Blinded By The Light’

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I’ll Never Go Away Vol II – ‘Dead Memories’

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Serial Killers iterum – ‘Return of the Creep’

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Writings on the Wall – ‘Playing the Game’

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Dark Light – ‘Beach House’

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Putrid Poetry & Sickening Sketches -’In The Dead of night’ (poem)

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Masters of Horror: The Anthology – ‘Devil Inside’

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Anthology, Horror, Short Fiction, JWK Fiction, Black Bed Sheet Books, William Cook, Bizarro Pulp Press, 

Recent Interview

Recently I was interviewed by author and fellow countryman Tim Jones for his wonderful blog 'Books in the Trees'. I first met Tim whilst completing a creative writing course at Victoria University run by Science Fiction author Robert Onopa. Tim is a fantastic writer and I had the good fortune of being able to include his wonderful story 'Protein' in my horror anthology, Fresh Fear: Contemporary Horror. Please note that Tim is running a give-away for 5 e-copies of Fresh Fear so please visit his blog and follow the prompts to win a copy. Anyway, without further ado, here is the interview:

 

An Interview With William Cook


William Cook was born and raised in New Zealand and is the author of the novel Blood Related. He has written many short stories that have appeared in anthologies and has authored two short-story collections (Dreams of Thanatos and Death Quartet) and two collections of poetry (Journey: the search for something and Corpus Delicti).

His work has been praised by Joe McKinney, Billie Sue Mosiman, Anna Taborska, Rocky Wood and many other notable writers and editors. William is also the editor of the anthology Fresh Fear: Contemporary Horror, published by James Ward Kirk Fiction.

*** William has kindly made five copies of the Kindle edition of Fresh Fear available to give away! Leave a comment at the end of this article, or respond on Twitter or Facebook, to be in with a chance to win one ***

1) As you mention, you're the editor of the recently published anthology Fresh Fear: Contemporary Horror, in which I'm very pleased to have a story. I'm less familiar with the horror field than I used to be back in the 1980s and 1990s, but even I can see that you've got some major names in there, notably Ramsey Campbell and Jack Dann. How did you manage to secure their work for the anthology?

It took a lot of networking and detective work to track down contact details for some of the bigger names I wanted to include in the anthology. I have been a fan of Ramsey Campbell’s for a long time and consider him the premier U.K. writer of horror, so it was important for me to try and secure one of his stories for the publication. Thankfully he agreed to sell me the rights to one of his stories (Wonderland’) and it was one that I had read before and felt was a good fit for the anthology.

Most of the bigger names were approachable; some more generous than others but most willing to part with stories (mainly reprints) for pro-rates if they didn’t feel the contributor rates were applicable. Jack Dann allowed me the use of his wonderfully frightening story ‘Camps’ and is one of the nicest and most generous authors I’ve met. I feel very honoured to have communicated with some of my favourite authors (albeit via electronic/virtual means) with this anthology and for that reason alone I feel it was worth the cost overall; it also proved a real boost to some of the up-and-coming authors to appear in an anthology alongside the likes of Campbell, Dann, Mosiman, Dunbar et al.




2) Are there common themes that emerge from within a number of these stories, or does the anthology cover the full scope of horror fiction?


The only real criterion I had in mind when selecting the stories for Fresh Fear was that they had to contain the element of fear somehow. I leant slightly towards ‘quiet’ horror when and if it was of a high enough standard but the end result was a really diverse range of stories, ranging from quite hard-core horror to more subtle narratives.

One commonality that emerged from the huge pile of submissions was the amount of stories set in post-apocalyptic or dystopian worlds; so I did become aware that the influx of these kind of stories had to be whittled down to give the reader a more diverse reading experience, as was my original intention. But, in answer to your question, I would say that the only real commonality is that the stories are well-written and that they all contain an element of fear that should entertain the readers’ adrenal glands.

3) Is this the first anthology you've edited, and how did you get interested in editing anthologies?

Yes, it is the first one that I’ve edited. I have always wanted to create my own horror anthology as I’m a big fan of them having falling in love early on with the Pan (Herbert Van Thal ed.) and Fontana collections of the late 70s and early 80s. It is how I, and I suspect, most other readers of horror have discovered new talents and writers of the genre and continue to do so. My interest stems from my love and fascination with the genre and I hope that I get the chance to edit more over the following years. I have always wanted to put together a very eclectic classical horror anthology with the best illustrations to accompany the selection of my favourite stories. One day.

4) Of course, you're also known as a horror novelist, with your novel Blood Related [receiving good reviews. Without giving too much away, what can readers expect from Blood Related?

By way of an answer to your question, I sent a copy to a favourite psychological thriller author – Jonathan Nasaw (author of ‘Fear Itself,’ ‘The Girls He Adored,’ ‘When She Was Bad’ etc). Now this guy is the standard by which I measured BR – his novels are usually about depraved serial killers and are very dark, so his reply shocked me in such a way that I had to ask his permission to use it as a blurb. “Dark and deeply disturbing,” was his reply. Apparently, he had to put it down after reading the first section because it disturbed him too much! Another reviewer has summed up BR nicely – here’s how they described the novel:

“William Cook's presentation of a family of murderers, most notably the twin brothers Caleb and Charlie, is a chronicle that charts the evolution (or de-evolution) of a killer's psyche. There is a plot in this novel, or rather, a series of events that result in the book's conclusion (no spoilers here). A revolutionary plot on the manic scale of Charles Manson, a damaged family unit that has been depicted in classic horror films like Texas Chainsaw Massacre and House of 1000 Corpses, and the downward spiral of the novel's "good guy" all illustrate the environmental conditions which create such monstrosities. Cook did very thorough research; no stone was left unturned, no cause behind the madness unexplored.”




5) You're also a poet, and of course, there's a long tradition of horror poetry, stretching back at least to Edgar Allen Poe. What makes for good horror poetry?

There are so many variables and subjective considerations when one makes a value judgement about what constitutes ‘good’ poetry that it is hard to nail down. ‘Horror poetry’ is a fairly loose term and is not as widely accepted as say ‘Gothic’ poems, but recent years have seen the rise of a number of poets who do write poetry that engages tropes most commonly found in horror novels/fiction. An element of dread must always be present – a sense of foreboding; this can be achieved with the cadence and meter of the poem and is also emphasized by the use of onomatopoeia and description.

 

I’m personally not a great fan of rhyming poetry and prefer subtle use of alliteration and simile – the poems that really speak to me as works of horror are usually succinct and pack a punch. The poem should make the reader draw breath as they read and to twist their thoughts and emotion in a way that will leave a marked impression. Too much horror poetry relies on mediocre rhyme schemes and fails to deliver impact because of it. You can have a fantastic idea and a scary premise that can be delivered effectively with free verse, but as soon as a rhyme scheme is used it comes across as a cheesy Pam Ayers-type limerick. The poetry that does it right is usually well edited and tightly wrought with selective use of words and phrasing.
 

Some contemporary poets who I feel do ‘horror poetry’ well are Charlee Jacob, Vincenzo Bilof, Lori Lopez, and Jaye Thomas, and Bruce Boston, to name a few of my favourites.

6) Now that you've finished work on Fresh Fear, what projects do you currently have on the go?

I am currently editing a collection of my 101-year-old Grandfather’s poetry, which is proving to be a challenge. He is a very prolific writer but has seldom been published due to the fact that he has not really shared his work. So there are many hours of reading and editing to get his work to a publishable stage. I am hoping to have his collection published by the end of August, so that he can actually hold a copy in his hands of his own work before he shuffles off this mortal coil. I am also working on a new collection of verse and essays titled ‘Beyond the Black Gate’ – essentially an exploration of depression and its effects and origins. Half of the book will deal with the darker side of depression and the latter half will deal with coping mechanisms and hope. I have a few collaborations I’m working on also including a collection of YA horror stories. For more on all my upcoming and ongoing projects, please come and visit me at my website: http://williamcookwriter.com


7) I know that you've put a lot of effort into building up your social media presence to create a sales platform for your work. What advice do you have for writers who think social media is not for them, or who are just starting to make use of it?

Unfortunately it is a necessary evil but if you can, don’t view it as such. Without the various social medias I would not have achieved the publishing goals I have set for myself so far. I would not have met the publishers, editors, fellow writers, and most importantly – readers. Network, network, network, is the rule of thumb with social media. Use the various platforms for the promotion of your books but use common sense. Don’t over-post things or you will lose the contacts that you have quite quickly – no-one likes a ‘spammer.’


Despite Facebook being the largest social network available it is pretty useless for sharing posts that you make – i.e. you do not have share options that link your FB posts with the likes of Twitter, Pinterest, Google+, MySpace, LinkedIn etc. I believe it is best to have a platform such as a website if you are serious about promoting your work online. Wordpress, Blogger, Wix, Tumblr etc are all viable options and best of all they are free.


Once you have your website/blog set up, then you can use it to share your posts via the social media sites. Most blogs/websites have options for automated sharing of your posts which can save lots of (writing) time and is the most effective way of cross-market promotion. There are countless tutorials via each of these platforms in the help sections or on YouTube.com etc.


Essentially, you need an online presence if you are to succeed as an author in this day and age – especially if you are going down the independent or self-publishing route. The one piece of advice I think is important is to not let it (social media) consume you – I have wasted far too much time over the years on it when I should’ve been writing but in saying that, I have learnt many valuable lessons too. One other point is to remember who it is you are trying to market your work to - the reader.


8) You've recently been involved in setting up the NZ Horror Writers' Facebook Group. Who should get involved, and why?

Well it was more of an experiment than anything else really. I was curious as to how many New Zealand authors write horror and whether there was a need for such a group. So far the response has been positive but I think a more apt title for the group would be: New Zealand Dark Fiction Authors. If you write dark fiction/horror and want a forum for your ideas and to network with other like minds them it would probably be a good place to start.


Many of the members are also active members in groups like the AHWA (Australian Horror Writers Association), SpecFicNZ and the HWA and use the group to share open submission calls and industry news. The criteria for membership is pretty simple – if you are a New Zealander and you write within the genres mentioned, come join up.


9) In addition to those with stories included in Fresh Fear, who are up and coming horror writers that readers should be looking out for?
 

There are so many good writers out there with little or no recognition. Some of the more promising authors that I have had the pleasure of dealing with are as follows: Vincenzo Bilof, Carole Gill, Scathe meic Beorh, Lindsey Beth Goddard, William Malmborg, Anna Taborska, Dane Hatchell, Thomas A. Erb.
There are so many and I’m sure to have missed out others. For a full list of recommended authors, please come and visit my website where I have a full page devoted to writers who are good at what they do.


*** William has kindly made five copies of the Kindle edition of Fresh Fear available to give away! Leave a comment at the end of this article, or respond on Twitter or Facebook, to be in with a chance to win one ***



Tim Jones, Books in The Trees, Robert Onopa, Charlee Jacob, Vincenzo Bilof, Lori Lopez, Jaye Thomas, Bruce Boston, William Cook, Poetry, Horror, Publishing, Books, Fresh Fear, Dreams of Thanatos, Corpus Delicti, Jonathan Nasaw, Joe McKinney, Billie Sue Mosiman, Anna Taborska, Rocky Wood, Carole Gill, Scathe meic Beorh, Lindsey Beth Goddard, William Malmborg, Dane Hatchell, Thomas A. Erb.

Crime Watch Interview

9mm: An interview with William Cook

Kia ora everyone! Greetings from the bottom of the world, and welcome to the latest edition of Crime Watch's popular 9mm author interview series. The series has been a bit sporadic in recent times, after starting off with a hiss and a roar, maintained for a couple of years, but there is light at the end of the tunnel - I have several great 9mm interviews with authors famed and lesser-known in the bag, and will be sharing them with you all very, very soon. Onwards...

Today's author interviewee is a Kiwi horror and thriller writer, William Cook. He had his first novel, BLOOD RELATED, published in 2011, after writing short stories and poetry. Cook, who is a graphic designer and book cover artist, is currently working on his second novel. You can read more about him at his website here. But for now, he faces down the barrel of 9mm...

9MM: An interview with William Cook

Who is your favourite recurring crime fiction hero/detective?
 Will Graham, Thomas Harris’s troubled FBI profiler responsible for the original capture of the serial killer Hannibal Lecter, and the man who is assigned to locate serial killer Francis Dolarhyde. I also like John D Macdonald’s “salvage consultant”, Travis McGee.

What was the very first book you remember reading and really loving, and why?
 Tom Sawyer and the Adventures of Huckleberry Finn by Mark Twain. I had an advanced reading age when I was a kid and this novel appealed to me on many levels. It was literate and compelling and unlike any other book I’d read before. Once I started reading it I couldn’t put it down – for the next two years or so I tried to replicate Tom and Huck’s adventures in my own backyard. There were some high-thrills and scares in that book too, which sent shivers up my young spine. I loved it for what it was and for opening up to me a whole new world of ‘classic’ stories filled with adventure, mystery and thrills.

Before your debut crime novel, what else had you written (if anything) unpublished manuscripts, short stories, articles?
Blood Related took me approximately 5 years to write, before that I had always written mainly poetry and short fiction. I have had verse published in periodicals like Poetry NZ, Southern Ocean Review and a handful of others (both NZ and American). I’ve worked in publishing and marketing in the past and have had reviews (book, music and movie) and articles published in various news media publications.

Outside of writing and promotional commitments, what do you really like to do, leisure and activity-wise? 
Writing, of course, is my favorite pastime and I do it every chance I get. I also love illustrating and have recently switched to digital design. I love using Photoshop to create other worlds and characters. I am married with four daughters so I spend a lot of my time doing family things when I’m not working on my personal projects. I rarely get the chance to read a book cover-to-cover these days but the Kindle has helped me get back into reading on the go – reading being something I would really like to do a lot more of.

What is one thing that visitors to your hometown should do, that isn't in the tourist brochures, or perhaps they wouldn’t initially consider?
I have no idea really – I’m not much of an ambassador for Wellington. Don’t get me wrong, I like living here and there sure are worse places in the world but it is a small place. I guess one of my favorite spots in Wellington is the Miramar Peninsula – the green belt that runs from the now abandoned Mt Crawford Prison to the point. At night it is a very mystical place, especially under a full moon. The other place I really enjoy visiting is Staglands in the Akatarawas (Upper Hutt); it is a fantastic place with many native birds and animals and a superb recreation of a pioneer village filled with great photographic opportunities.  

If your life was a movie, which actor could you see playing you?
I think my life these days wouldn’t make for very interesting viewing – a guy hunched over a computer keyboard! I am similar in stature to the late James Gandolfini and admire his acting ability. I guess if he was alive he would be my first choice.

Of your writings, published and unpublished, which is your favourite, and why?
I probably value my novel Blood Related the most but it is not necessarily my favourite. My collection ‘Death Quartet’ is one that I’m quite proud of but I would say that ‘Creep’ is my most compelling and well-written work to date. The story is the first story in an exciting and gritty new psychological thriller series. Cassandra (lead protagonist) is a hero to the victim and a merciless angel of death to evil doers. She is a killer of killers, striking fear into the hearts of those who get their kicks off hurting others. I guess this is probably my favourite because I feel as though I found my ‘voice’ with this one. Currently at work on the next two books in the series.

What was your initial reaction, and how did you celebrate, when you were first accepted for publication? Or when you first saw your debut story in book form on a online or physical bookseller’s shelf?
To tell you the truth I went through a slump. There were a number of reasons but exhaustion was the main factor I think. The response to the book was slow and then gained momentum nicely then tapered off to a plateau of sorts. I think all writers have high expectations of their work, especially with the first novel, and so an anti-climax is inevitable. Strangely enough I think that my initial reaction was because I was saddened that my relationship had ended with my book! Sounds weird I know, but letting it go was sort of like losing an old pal – albeit, a rather frightening one. I was more excited when I saw a copy of my book at the local library; I made sure that every time I went for a visit, I put it in a position of prominence. A real kick.

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Thank you William! We appreciate you taking the time to chat with Crime Watch. 
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NEW RELEASE - Dreams of Thanatos: Collected Macabre Tales - available now




New trailer for Dreams of Thanatos - book available now from Amazon.com.


Dreams of Thanatos is a collection of macabre short fiction from William Cook, the author of the novel Blood Related. Demons, murderers and ghosts roam these pages although the most horrifying aspect Cook describes, is the dark soul of humanity. Whether writing about the horrors of modern life, or things that go ‘bump in the night,’ Cook’s writing is always “intense” and often “visceral” in his portrayal of the macabre. Included in this collection of fifteen stories is a novelette (Dead and Buried) and the origin story (Legacy: The Eternal Now and Thereafter) behind the novel, Blood Related.

  
“This man is simply scary. There is both a clinical thoroughness and a heartfelt emotional thoroughness to his writing. He manages to shock as well as empathize, to scare as well as acclimatize, yet beneath it all is a well read intelligence that demands to be engaged. I loved Blood Related. Ordinarily I hate serial killer stories, but William Cook won me over. He is a unique and innovative talent.”

– Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dog Days

Women in Horror Month #3 - Rena Mason



For WIHM (Women in Horror Month) I have had the great fortune to interview another fantastic author: Rena Mason. Rena is an up-and-coming author of dark fiction and is creating lots of ripples in the horror pond. Definitely an author to watch and without further ado, here she is:

Rena Mason graduated from college with a SUNY nursing license, started her career in oncology, did some home healthcare work for Visiting Nurses, and then went on to work in the operating room for over twelve years in Denver, Colorado.

A longtime fan of horror, sci-fi, science, history, historical fiction, mysteries, and thrillers, she began writing to mash up those genres in stories revolving around everyday life.

She is a member of the Horror Writer's Association, Pacific Northwest Writer's Association, and International Thriller Writers. She writes a column for the HWA Monthly Newsletter, "Recently Born of Horrific Minds" and writes occasional articles. She also does volunteer work for the Horror Writer's Association, KillerCon convention, and The Vegas Valley Book Festival.

An avid SCUBA diver since 1988, she has traveled the world and enjoys incorporating the experiences into her stories.

Currently, she resides in Las Vegas, Nevada with her family.




Interview with Rena Mason


Q: When did you first know that you wanted to be a writer and how did you go about realizing your dream?

A: About six years ago, I read ANGELS & DEMONS by Dan Brown and was completely disappointed the book had nothing to do with any angels and demons. Then I went on vacation with an armful of books that had won “awards.” They were some of the most boring books I’d ever read. I kept waiting for something to happen and it never did.
When I got back, I turned on my new laptop, opened up Notepad, and started writing. Ha! Yeah, I still have that original, too. But writing wasn’t enough. I researched everything. Then when I thought it was ready, I started submitting it to agents.
The rejections came one after the other. I bit the bullet and sent it to one of those “review” places and wasted money for nothing. (Money I later discovered, could have been put to better use by hiring an editor.)
I attended a writers’ convention and a friend of a friend who’s a writer convinced me to pitch my novel. I did. Thought I might have a heart attack and drop dead after I left the room. It was set up like an American Idol audition, but there were only two people behind the table—the owner and editor of the company.
A few weeks later, I received another rejection, but this time, the editor took the time to tell me that my dialogue was very stiff. Thank you! Since the story I’d written was a personal one, I put it on the backburner but knew I’d get back to it when I felt ready.
I got to work on something else, focused on creating more natural dialogue, and then hired an editor after submitting to a couple agents and receiving rejections. Getting a professional editor made all the difference for me. Not only did it improve my MS, but the positive feedback built up my confidence, and I learned that if I really wanted to publish my stories, I was going to have to put myself out there. So, with the help of my editor, I did just that, by joining the HWA, “friending” other writers on Facebook, attending more conventions where I actually introduced myself and talked to people. It was a learning process, but I made fast friends, and soon my work caught the attention of an up and coming new publishing company and that’s how my work finally began to get published.

Q: Your work to date has mainly been in the Dark Fiction/Horror genre – is this a genre you prefer to write in and if so, why?

A: Yes. I prefer to write Dark Fiction/Horror, because that’s what I enjoy reading the most. None of the other genres give me the roller coaster of emotions I crave the way darker works do.

Q: Have you always been a fan of horror literature? Who are some of your favorite authors and why?

A: WHERE THE WILD THINGS ARE was the first book I’d ever read in Kindergarten. I thought the little boy was a brat and wished the monsters would eat him. I was sad that the monsters were sad when the boy left. I’d always hoped that the monsters would find a way to sail off their island and find the boy. I read that book at least once a week and was disappointed there was never a sequel about the monsters’ revenge.
When I was younger I read a lot of Edgar Allan Poe and Shirley Jackson. Their stories never got old for me. Nowadays, I’m all over the board when I read. There are so many authors out there, I don’t usually read more than one work by that author. But as of late, I’ve found a few authors whose works offer a variety. I’m horribly lazy and the mere sight of a thick book makes me cringe, so I tend to stay away from those. I’ve read a lot of Lisa’s Morton’s works, Benjamin Kane Ethridge, and have recently been reading Mercedes Murdock Yardley’s works. Lisa Mannetti is another author I enjoy reading, but in my heart I prefer Gothic works, and she’s great at writing them.

Q: What are your writing goals and where do you see yourself five years from now in terms of your writing/publishing?

A: If I could write and publish a novel a year, or five short stories in that same amount of time, I’d be happy. Like I mentioned earlier, I’m lazy, so my minimal aspirations are purely my own. But what I do publish, I want to be good and ready. It will have been edited professionally, proofread, etc. and that’s before submitting. This would give me five novels in five years, or 25 short stories. I’d be okay with half and half.

Q: What are your thoughts on self-publishing? Is it something you hope to do with your own work? If so/not, why?

A: I have nothing against self-publishing. I’ll never self-publish my own though, because like I mentioned above, I’m lazy. Really. That’s the only reason.


Q: As a nurse and author do you draw upon your experience as fodder for your stories? Do you catch yourself eying up situations and people in the workplace as potential candidates for your stories?

A: Absolutely. I’m a firm believer that truth will always be more horrifying than fiction. Oh, the stories I could tell! And will. Eventually.

Q: How do you approach your writing? I.e. do you outline plots and characters? Do you use any set formula?

A: If I get a story idea I’ll think about it and try to see it through in my head. If I can do that, and it doesn’t go away, but stays on my mind, I’ll write down how I’ve imagined the story plays out. If I keep thinking about it, then I’ll take the time to write it, because obviously it needs to get out of my head. So far, more stories get written than die out, which is a good thing.

Q: How do you promote your work and how important do you think social media is as a platform for marketing your books and building your profile as an author?

A: I’ve advertised in magazines, online magazines, do the Goodreads giveaways, Facebook posts, (just getting into Twitter now,) and word of mouth through friends and at conventions. I think all the social media is important, but I wish it wasn’t, because it’s hard to stay on top of everything and try to write. There are too many places where you can lose yourself for hours, and in the end, I wonder if it really makes any difference.

Q: What do you hope to achieve with your writing? Do you have a ‘magnum opus’ in mind or in progress that you would like to unleash upon the world one day?

A: I just hope to keep writing. Besides being lazy, I’m one of those people that does a thing, and when it’s done, I move on and find something else to do. I’m fighting a little bit of that now, actually, but the new horror family that I’ve gained keeps me in the train of thought to keep writing. I have so many more stories to tell.
And yes, remember that first story I’d written on Notepad? Well, that’s become a series of at least six books. If I dwell on it too much it starts to weigh me down, but it’s a story that must be told, and it’s personal, so if I write nothing else, it has to be that.

Q: Which one of your works stands out as the best example of your style and ability? Do you have any future projects that you would like to tell the readers about?

A: I wrote a short story about six months ago that’s in a slush pile that I love. I’m considering turning it into a novella or novel. It could even be a series. Yikes! Why must everything be a series? But really, it’s got that potential. And it’s not that I don’t like series, it’s the thought of writing one that intimidates me.
All my future projects are secret. I know, I know. Sorry. I’m working on something with a co-writer and then the other things floating around aren’t quite a done deal yet, so I shouldn’t say anything. But it does seem I’ve become a committee girl and am working on promoting the Horror genre in Las Vegas, which I’m proud of, is fun, but keeps me busy. 


http://www.amazon.com/Rena-Mason/e/B00C7YOVDY/ref=ntt_athr_dp_pel_pop_1 

 http://www.amazon.com/Rena-Mason/e/B00C7YOVDY/ref=ntt_athr_dp_pel_pop_1

Rena Mason

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