Showing posts with label Interview. Show all posts
Showing posts with label Interview. Show all posts

Guest Author Interview: Mort Castle




Mort Castle is a veteran of American genre-fiction. Mr Castle is a respected horror author, editor and writing teacher, a prolific short fiction author and a novelist. Among other awards that he has won he is a three-time winner of (and nominated eleven times for) the Bram Stoker Award. Today I present to you a great interview with Mr Castle and it is truly an honour as a fan – my favorite works of his are the collection ‘Moon on the Water’ and his novel ‘The Strangers.’ As his bibliography testifies I have a lot of reading of Mr Castle’s work still in front of me (rubs hands with glee). Please make sure to check out his books and grab some copies off Amazon - you won't be disappointed if you are new to Mr Castle's work (just click on the book cover images below). Here is he, the horror maestro himself, Mr Mort Castle:

Q: How have you managed to maintain your literary career for as long as you have? Do you have any tips for other writers starting off on their careers in terms of long-term strategies to maintain a career as an author?

A: Oh, man, it's perseverance. You don't give up, period. There were some very bleak times, times of serious "career reversals," when I wished I could just pack it in. Was supposed to be editor of Horror, The Illustrated Book of Fears, which would be the country's largest circulation B&W comics horror magazine; that fell through at the last minute when the distributor reneged, saying he had had a moral revelation and was convinced the magazine would encourage mental illness and criminal behavior. Had movies come close and never happen. Book contracts blow up at last minute. Markets disappearing (go take a look at today's convenience stores for the behind the counter men's magazines that used to pay my mortgage!)

Guest Author Interview: Brian Evenson


Today it is my distinct pleasure to bring you this recent interview I did with the talented author, Brian Evenson. I recently read his early collection Fugue State and thought it a fantastic book. Here’s my review, which doesn’t really do it justice – I encourage you to read this and any of Brian’s other superb books (click on the book cover images below to be taken direct to the Amazon book page):

“Brian Evenson's Fugue State is a very surrealistic, slip-stream kind of collection soaked with dark themes and nightmarish allegories that make the reader think! A bit of a rarity these days. I especially liked the way the stories encouraged a second reading. Stand-outs for me were 'In the Greenhouse', 'Life Without Father', 'Fugue State' and 'The Adjudicator.' Will definitely be reading more from this fine author.”

https://www.amazon.com/Fugue-State-Brian-Evenson/dp/1566892252/ref=asap_bc?ie=UTF8

Without further ado, here is my interview with Brian.


BRIAN EVENSON is the author of a dozen books of fiction, most recently the story collection A Collapse of Horses (Coffee House Press, 2016) and the novella The Warren (Tor.com, 2016). His collection Windeye (Coffee House Press 2012) and novel Immobility (Tor 2012) were both finalists for a Shirley Jackson Award. His novel Last Days won the American Library Association's award for Best Horror Novel of 2009. The Open Curtain (Coffee House Press, 2006) was a finalist for an Edgar Award and an International Horror Guild Award. Other books include The Wavering Knife (which won the IHG Award for best story collection), Dark Property, and Altmann's Tongue.  He is the recipient of three O. Henry Prizes as well as an NEA fellowship. His work has been translated into French, Greek, Italian, Spanish, Japanese and Slovenian. He lives and works in California, and teaches at CalArts.


Q: You have recently been in Transylvania teaching at the Horror Writer’s Workshop, did you get an opportunity to explore the countryside and were you inspired by your experience?

A: We did.  The Horror Writer’s Workshop was held just outside of the town that houses Bran Castle, the basis for Dracula’s castle in Bram Stoker’s Dracula, so I spent some time there, also explored some of the nearby towns and medieval villages and fortresses, places like Sighisoara and Brasov, took my son to a decaying Communist playground complete with scary cartoon figures, passed through a gypsy village in which on a Sunday morning everyone was carrying a broom, spent time in the forest, etc.  It’s an amazing place, and it reminded me a lot of what parts of Europe used to be like 30 or 35 years ago, back when I visited as a kid.  I do think I got a lot out of it and that it’ll figure in my writing in various ways.

News and FREE EBOOK giveaways

Hi All - it's been a while I know, so as a way of thanking you for sticking around I've got some free books for you! Things have been really busy lately with research for my Masters thesis well underway. The title of my dissertation is 'The Evolution of a Genre: the Rise and Rise of Serial killer Fiction. As you can imagine, the research and writing on this topic fits well within the scope of my fictional work as well, so it should be an interesting and engaging ride. Let's just hope that my supervisor likes the subject as much as readers of my books do! Other current projects include continued work on the sequel to 'Blood Related' (a novel titled 'Blood Loss'), the second volume of 'Secrets of Best-Selling Self-Published Authors' as well as an omnibus edition that collates both volumes (1 and 2) plus additional material. 

In other news, I have recently been interviewed. If you're interested in reading these you can view them respectively, here and here.

The last item I have today is a REQUEST FOR REVIEWS! Sorry for shouting, just wanted to make sure everybody heard (wink, wink). If you have read any of my books, please take a minute to drop a short review on Amazon (author page link) and/or Goodreads. If you'd like to become part of my review team, please send me an email and I'll gift you a review copy of your choice. 


Reviews are what drives new readers to my books and to all the other indie authors out there struggling to make a name for themselves. Believe me when I say that without your help, I am nothing. Sure, I would keep writing nonetheless (without reviews) because it is my passion and I can't seem not to write, but a fair review is what helps me as an author improve and to see what readers actually want to read more of. So thank you to those of you who have read my work and reviewed it and to those of you who will (hopefully) leave a short review after reading this. You rock!!!

Anyway, here they are - today's freebies just for you. Just click on the image or the link beneath to download your free copy/s (U.S. + U.K. Links included)


DEAD AND BURIED

Ever been bullied? Ever been dead and buried? Ever been a ghost?
Donny is sick of everything, at home and at school. Most of all, he hates the bullies who have made his life a living hell. Strange things have been happening in the Cox household – Donny’s mother has mysteriously disappeared and his drunken father has been acting more strangely than usual. Donny’s little brother Max is relying on him to find their mother and to protect him from all the things little kids need protecting from. The local gang of thugs is intent on making Donny and Max’s lives as miserable as possible. They will resort to almost anything to make the Cox brothers’ suffer. What the bullies don’t consider, is the possibility that their cruel actions will have consequences far beyond their realms of imagination.





DEATH QUARTET

DEATH QUARTET (A Selection of Short Horror Fiction & Verse) is an eclectic miscellany of psychological horror stories, poems, and ephemera, wherein the subject matter relates to the study of homicide and the aesthetic portrayal of such an act. In other words, themes of death and murder abound in this horrific collection brought to you by William Cook, author of macabre fiction and the novel ‘Blood Related.’ 





CREEP

Be careful who you get into a car with, even if that car is a taxi!
A dark story of a young girl's date with death. CREEP is a story that will leave you on the edge of your seat until the gripping climax which is unexpected and will leave the reader cheering for more. Serial Killers don't always get away with murder, no matter how hard they try.





ONE WAY TICKET

Fast Train To Hell . . .
From the belly of the swamp issues forth a visit in the middle of the night, from a force as dark and unimaginable as hell itself. Poor pig-farmer Abel Laroux, must battle the demons of his past as well as the nightmarish reality of the present, as he confronts a devilish visitor who has come to collect on an outstanding debt. Grab your ticket now for this horrifying journey into a hellish nightmare!





Hope you enjoy these free reads (download 'em quick - two days to go!). Best wishes and please remember to subscribe (click on image below) for the next post/s and another free book. Have a great day.

 

 

#freebooks, Interview, news, william cook, Dead and Buried, Death Quartet, One Way Ticket, CREEP, Lee Murray, Roadie Notes, Book Review Request, #reviews, 

Secrets of Best-Selling Self-Published Authors #13 – Michael J Sullivan


Another fascinating interview is in store for you today and this time we have best-selling fantasy author, Michael J Sullivan in the hot-seat. A very interesting and generous writer who has taken the time to answer my questions about self-publishing and achieving success in today's tough publishing market-place. As usual, please make sure to check out Michael's links and books at the bottom of the interview and also take advantage of the subscription offer. His Amazon biography describes him as thus (abridged):


After finding a manual typewriter in the basement of a friend's house, Michael J. Sullivan inserted a blank piece of paper and typed: It was a dark and stormy night. He was just eight years old and mimicking the greatest (or only) writer he knew at the time...Snoopy. That spark ignited a flame and the desire to fill blank pages would become a life-long obsession. As an adult, Michael spent more than ten years developing his craft by studying authors such as Stephen King, Ernest Hemingway, and John Steinbeck. During that time, he wrote thirteen novels but found no traction in publishing. He did the only sane thing he could think of (since insanity is repeating the same act but expecting a different result), he quit and vowed never to write creatively again.

Michael stayed away from writing for a decade and returned to the keyboard in his forties...but with one condition: he wouldn't seek publication. Instead, he wrote a series of books that had been building in his head over his hiatus. His first reading love was fantasy, and his hope was to help foster a love of reading in his then thirteen-year-old daughter, who struggled due to severe dyslexia. After reading the third book of this series, his wife insisted the novels needed to "get out there." When Michael refused to jump back onto the query-go-round, she took over the publication tasks and has run "the business side" of his writing ever since.

Michael is one of the few authors who has successfully published through all three routes: small press, self, and big five. Some key accomplishments of his career include:

* Named to io9's Most Successful Self-Published Sci-Fi and Fantasy authors
* Sold more than half a million English copies
* Been translated into twelve foreign languages
* Spent more than a year on Amazon's Bestselling Fantasy Author's list
* His Death of Dulgath Kickstarter is the third-highest funded fiction project of all time.
* Had his books named to more than 100 "best of" or "most anticipated" lists including those compiled by Library Journal, Barnes and Noble, Goodreads.com, and Audible.com

Today, Michael continues to fill blank pages with nine released novels, six awaiting publication, and a new series in the developmental stages. 


 Here he is, folks. The inimitable, Michael J Sullivan:



Do you think that your life experience has gone someway towards making you a successful author in your chosen genre?



Yes, in many ways all that has occurred during my life has been a contributing factor to my success. It’s taken me decades to find my voice and polish my story-telling style, but more importantly the skills related to marketing, design, and promotion also took years to perfect. My “day job” before I became a full-time novelist was running my advertising agency. Doing that gave me experience in layout, design, and marketing.



You are what is commonly referred to as a ‘hybrid author.’ Can you please explain whether you agree with this and whether or not this was a conscious decision on your part?



Yes, a hybrid is the best description for how I approach publishing. For those who aren’t familiar with the term, it’s an author who utilizes both self-publishing and traditional. It would help to explain a bit about my publishing history.



·      2008 – Book #1 of The Riyria Revelations was published by a small press

·      2009  -  2010  Book #1 - #5 of The Riyria Revelations were self-published

·      2011 – 201 2: Book #1 - #6 of The Riyria Revelations re-released by big-five

·      2013 – Book #1 & #2 – of The Riyria Chronicles released by big-five

·      2014 – Hollow World – released by self (ebook) and small press (print book)

·      2015 – Book #3 of The Riyria Chronicles self-published

·      2016 – Book #1 of The First Empire released by big-five

·      2017 -  Book #2 of the First Empire released by big-five and at least one book self-published.



As you can see, I have utilized small presses, the big-five traditional publishers, and self-publishing over the course of the last eight years. It is definitely a conscious decision, as I think it diversifies my offerings and provides for the greatest amount of flexibility. For each project, I determine what I think would be the best for my career and evaluate potential income, and then I decide which route to take.



A common trait I have noticed, amongst the work of some of the biggest and best-selling authors who self-publish, is that they are ‘World Creators.’ You are no exception – your books are set in fantastical and futuristic worlds that envelope your readers. The fact that many of the top self-published authors create and write within these worlds leads me to believe that this way of writing lends itself strongly, to solid story strands that translate nicely into both extended series and devout fans and to a certain appeasement of the Amazon gods in terms of the promotion of those series. Do you write an origin story with a future series in mind or is it more of an organic process because of the way you build such a strong setting/world in the first book?



To date, I’ve written series mostly, but I do so in a very unusual way. I write all the books before publishing any of them.  For instance my first series, The Riyria Revelations was a six-novel story arc, and I finished writing the last book before the first one was published. I just finished a new series, The First Empire (5 books). Even though the first book, The Age of Myth, won’t be released until June 2016, I’ve finished all five books this April.



I do have one book, Hollow World, which is a standalone novel. That being said, I left some room to revisit that world and characters if the readership wanted more. It would appear that they do, so I’ll probably be writing a second story in that universe starting next year.



How important are books written within a series to your success as a best-selling author?



I think series are very important to my success. First, it is common in fantasy and science fiction to create epic tales that require several full-length novels to tell. But more importantly, it’s hard to make a living with just one book. Three seems to be the magic number as far as the number required to start obtaining a substantial readership. When they are all in the same series, it’s easy to get someone to go from one to the next (assuming the first one has entertained and/or touched them).  Otherwise, you have to find a new audience with each standalone book, and that is a lot more work.



Once you have decided that self-publishing might be your route, what financial and artistic considerations should you keep in mind before you begin?



I’m a firm believer that if you go the self-published route, you MUST produce a work that is every bit as good as anything coming from New York. That means an attractive, professional cover and flawless editing. A self-published book has to be twice as good to get half the credit. A typo or two in a traditionally published book is looked upon as a “minor mistake.” The same typos in a self-published book are held up as proof that self-published authors need better editing.  Going self doesn’t mean “taking the easy way.” It means just the opposite. So if you can’t produce a book with exceptional quality – I say don’t bother.  All that being said, you also have to keep in mind budgetary considerations. It doesn’t make sense to spend $2,000 releasing a book that will only net $500.  So you have to spend your money wisely.  If you shop around you can budget around $800 and get good results for both cover and editing. To me, that’s probably the lowest amount you should expect.



What kind of marketing did you do to establish your author brand and what do you think is the most successful marketing for self-published authors? Is there any one thing that you have determined has helped you sell more books – i.e. could you outline your path to establishing your brand and your most successful sales method/s?



It’s impossible to sum up years of marketing experience in a paragraph. But I can point out some resources that should help. One of the areas that I’ve found the best results from is Goodreads. It’s a site dedicated to books and is a perfect environment to find readers. There’s a lot to do there:groups to join, giveaways to run, talking to people who have read and reviewed your books. It can be somewhat overwhelming. I suggest people check out an article I wrote in the Feb 2015 edition of Writer’s Digest as a good place to start. I also have some online guides on the right-hand side of reddit’s write2publish sub (https://www.reddit.com/r/Write2Publish/).



You have some fantastic book covers. How important do you think cover design is to a potential reader and how big a part do you think it has played in your success to date? 



Nothing will hold back a good book more than a bad cover. If someone can tell a book is self-published by looking at it, then you’ve put yourself at a significant disadvantage. Remember what I said about producing a book using the same standards of traditional publishers. That means that the cover of your self-published book has to stand toe-to-toe with anything that comes out from New York. With a bad cover, you have to work so much harder to convince people that what is inside the covers is worth their time. A good cover clears that obstacle and puts the focus on the writing not its package.



Do you think it is important for self-published authors to identify and write in a niche market that they may have an interest in, in order to establish themselves as a leader in that genre and sell more books?



I don’t know that I’m expert on selling books across a broad spectrum. All I can speak to is what has worked for me. First and foremost I think you have to write what you love. Otherwise, the lack of passion will show in your work. For instance, erotica has always done well in self-publishing, and if I cared only about money, I might consider writing for that audience. But I’d fail in that genre as (a) I don’t know the market well and (b) they aren’t the stories I want to tell. The people who do well in that market do so because they are passionate about those stories. There are going to be writers whose books are going to be “too niche” or “too broad” and they will probably struggle, and may never be commercial successes. It’s just a fact of life. If that describes you, then you need to find your rewards by the journey rather than the destination, and there is nothing wrong with that.



What avenues of self-promotion did you find to be most effective and affordable? What’s the best ‘bang-for-your-buck’ advertising you have employed?



Without question, a Goodreads Giveaway is the best “bang-for-your-buck.” For the cost of printing and shipping a book you can get hundreds, or even thousands of people to know it exists.  I just concluded a giveaway for my new novel, The Death of Dulgath which had 4,186 people interested.  The one before that (The Age of Myth (previously called Rhune) had 9,243 people sign up.  Now, a new author can’t expect that kind of result. But even when I was an unknown author, I was pulling in 500 – 800 readers. That’s quite a bit, especially considering that I could message each one afterward and offer them a free short story. Doing that was very successful in getting people into my series.



In your opinion, is traditional publishing on the way out? Do you think that traditional publishing can continue to keep up with the rise of self-publishing?



No, I don’t think traditional publishing is on the way out, but I do think self is now just as viable as traditional. It depends on what your goals are and what capabilities you have. If, for instance, you can’t put out a high-quality self-published book, then I think you should go traditional. Yes, you’ll lose a big cut of the profits, but the book will be professionally produced, and you have to start with that or you have nothing.  As for traditional “keeping up” with self-publishing…the answer is they can’t...but they don’t need to.  Let me explain. “Keeping up” implies they can match the output of self – and that’s just not possible. There are only so many books they can curate in any given year, and it will always be a very small fraction of the self-published books released. Traditional publishing’s business model is much different than self. It has always had a limited bandwidth, and that works for their model. The bigger concern to traditional publishing isn’t an influx of self-published titles. If anything, that helps them out.  The danger is a decrease in readership as people turn to other forms of leisure…video games, television, movies, etc.



Would you ever consider signing all your books to a traditional publishing house or will you always manage some of your titles yourself through self-publishing?



I would like to have more self-published titles then I currently do. There were times in my career that I was 100% self, and that provides a great deal of freedom and a lot fewer hassles. When I sold my first self-published works to the big-five, my intension was to self-publish all future books. So far, that hasn’t happened. The first offer I got on my second series had me heading for self-publishing, but then an offer came in that made traditional a better choice.  For my third series, I also intended to take that self, but again another offer came along that I just couldn’t pass up.  Still, my most recent work is going out the self-published route and I do have several new projects I plan on self-publishing. Whether they will or not will depend on many factors including how my career is progressing and which route I think will make the most amount of sense.  But no, I don’t suspect I’ll ever be 100% traditional.



Have you ever used free book promotions? Do you think they are a worth-while marketing tool for self-published authors? If so/not – why?



There was a three-week period back in 2010 when I put my second novel to free. In general, I’m not a fan of free novels as it is a large potential loss for the author.  What I do believe strongly in is free short stories. I have two shorts free on Audible (The Jester and Professional Integrity). And I have some free shorts in ebook (including the Riyria Sampler, which has four little shorts in it).  But I say all that with regards to my writing. For some authors, the free first book is essential for their careers, and it works well for them. Each author is going to be slightly different. The best advice I can give is to be self-aware about your audience and what you need to do to lower the barrier for them to try your stuff. At the beginning of your career, free books may be a needed incentive, but as your readership grows, you should be able to go without it.



Do you feel there’s a good sense of community within the self-publishing industry?



Absolutely. I find the self-published authors are extremely open and share a great deal, something I’ve not seen much of with traditional authors. In particular, the Writer’s Café of Kindle boards (kboards.com) is especially helpful.



Many self-published authors (and many traditional authors) have a strong support network, the most important member usually being a spouse or partner who provides financial stability in the early stages of the author’s career. Your wife has been instrumental in handling the publishing tasks and runs the ‘business side’ of your career which gives you the freedom to write. Do you think this is an essential aspect of successful writers’ careers and do you think you would have the success you have enjoyed to date without such support?



There is no doubt that I couldn’t have been successful without Robin’s support.  Does every author have that? Sadly, no. Can you be successful without it? Yes, but it will be harder. I find the “business side” overhead to be about the same in self and traditional…the tasks are different, but the time away from writing is about the same. So, it’s not like there is more burden with self than traditional on that front. I’m fortunate as I don’t have to concern myself with agents, publishers, publicists, etc. Robin handles all that. It puts me in an exceptional position for writing. Bottom line. I wish every author had what I do, and no you can’t have Robin. She’s mine.



What would you say is the single biggest advantage of deciding to self-publish?



Control. I just spoke about the “overhead” being about the same between the traditional and self. A lot of that has to do with constant conversations Robin has with the publisher about things we would like to do but can’t.  Want to lower the price temporarily?  The publisher says no.  Want to distribute the books free of DRM? The publisher says no.  Would you like the book included in a Humble Bundle? Nope. Don’t like the cover created?  Too bad, you don’t have a say.  Would you like a different format (say hardcover or mass market paperback)? Again you don’t have any input into such things.  When you are with a traditional publisher, there is a lot of “hoping” they’ll do things you want them to do. Sometimes they do, but many times they do not.  And it can be extremely frustrating.



You have successfully used crowd-funding (Kickstarter) to drive some of your projects forward in the past. What are the main pros and cons for a self-published author in using such platforms to fund their projects?



The pros of Kickstarting is the sense of “community” that the backers generate. They feel a part of the creation process and are as proud as I am with the success of the book. They are enthusiastic, and it’s great seeing everyone pulling to meet that next stretch goal. They also provide early reviews and help with generating pre-release “buzz.”



The cons are that it won’t work for everyone. People who have no audience will find it difficult to fund. So, my suggestion is you shouldn’t Kickstart your first novel.  Once you get a few under your belt, and you have a following that’s when you should consider one.



You have many of your books available in audio format – do you think audio books are worth investing in for self-published authors? I.e. is it a revenue stream that pays dividends in your opinion?



Again, it’s hard for me to discuss generalities, as I’m only an expert with regards to my books and my career. For me, they surpassed my wildest expectations, but I’ve also been on the top of the bestsellers there and one thing about the top – is not everyone is going to get there. The best thing I can say is if you have a good strong ebook/print audience the chances of a good audio audience is good as well. But when you do it, do so with that same attention to professionalism I spoke of elsewhere. That means hiring a top-notch narrator and using a professional studio for recording and mastering. If you try to do it “on the cheap.” I don’t think it will be successful.



How important do you think social media and a strong active online presence is, to becoming a success as a self-published author?



It depends on how you define “social media” – if you define it as having a Facebook page and tweeting to “buy my book” I think that will tend to be counterproductive.  If you mean having tools that help you connect with your readership…well that’s a whole different story.  I think authors today are fortunate in that they have so many ways to CONNECT with readers. To me, such venues help to do that, and I think making connections is just as important to a self-published author as it is a traditionally published one. It comes down to what you do with those tools.



Are you in regular contact with other self-published authors and how important was any input you may have received early on in your career?  Do you have a mentor in terms of your self-publishing success – someone who may have inspired you to ‘give it a go’?



There are a few authors I’m in touch with regularly, some are self-published, some are traditional, and a very few do a bit of both.  All of my contacts came after I started publishing, so it didn’t help build the career…but now that I have a career it’s nice to chat, compare notes, and talk about what’s going on in the industry. As for mentorship, it has tended to be the other way around. I mentor a lot of people, but I was a bit of a trailblazer, so my work was pretty much on my own.



Do you think self-published authors need to become effective business people, by treating self-publishing as a business, in order to succeed and secure their financial independence?



Yes, I do believe self-published authors have to concern themselves with both the “craft of writing” and the “business of publishing.” As I said above, you have to put out something with every bit of quality that “real” publishers do – so you need a bit of entrepreneurship in you. Those that prefer “working for the man” probably will never be a good fit for the type of maverick nature that good self-publishing requires.



Where to from here? Are you currently represented by an agent and are you working with any publishers on future projects?



I recently changed agents, and am currently represented by Joshua Bilmes’ JABberwocky Agency. Just prior to signing on with them, I sold four books to Del Rey. This includes the first three books of The First Empire series (Age of Myth will be released in June 2016), and one more yet to be determined book to be set in my fictional world of Elan.  That could be a fourth Royce and Hadrian Riyria book or one of about a half-dozen other books I already have planned out in that world.  Del Rey will be releasing my books yearly, so I’ll be writing (and probably self-publishing) other books as they do their releases. As I said, I have all five of the First Empire novels written, and I’ll have plenty more finished over the four years of that contract.  Currently, I’m in beta with my third Riyria Chronicle (The Death of Dulgath) which I plan on having out before the end of the year via self-publishing.



Can you offer any advice to fellow writers if you could go back in time and “do it all over?” What’s your top tip for other indie authors?



The only thing that I think I did wrong was when I gave up. I had spent about a decade writing and had thirteen completed novels. When I couldn’t find any traction in publishing, I quit.  I didn’t start writing again until a decade later, and I only did so with the belief that I wouldn’t be publishing. Ironically, it was those books that put me on the map. So I guess my best advice is to realize that the only way to ensure failure is to quit trying. If something doesn’t catch…write something else.  Keep working on improving your skills and keep telling stories, and that will significantly increase your chances of success.



Finally, thanks for sharing your thoughts on self-publishing. Where is the best place for readers to find your books?



Thanks for having me, and for asking such great questions. This is where people can connect with me.



Website: www.riyria.com
Social media: Facebook • goodreads • wattpad


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Secrets of Best-Selling Self-Published Authors #12 – Rachel Abbott


Today's interview is with best-selling U.K. thriller author, Rachel Abbott. Rachel has received a lot of good press recently about her rise to the top of Amazon's best-seller lists. This from her Amazon biography: "Rachel published Only the Innocent in November 2011. It raced up the UK charts to reach the top 100 within 12 weeks and quickly hit the #1 spot in the Amazon Kindle chart (all categories) and remained there for four weeks.

Originally, Only the Innocent was a self-published title, but since the success of the early version, the novel was re-edited and the new version was launched in the US by Thomas and Mercer in paperback, audio and Kindle versions on 5th February 2013, hitting the number one spot in the Kindle Store in August 2013. Her second book, The Back Road, was also published by Thomas and Mercer.

Her third book, Sleep Tight, was published in February 2014."

Here is the interview, please make sure you check out Rachel's books and website and also subscribe (see link below) to this website to stay tuned for the next interview in the Secrets of Best-Selling Self-Published Authors interview series (next interview will be with best-selling fantasy author, Michael J Sullivan).






Do you think that your life experience has gone someway towards making you a successful author in your chosen genre?

An interesting question! I haven’t met many murderers as far as I know, but my books tend to be about the extremes of relationships – the dilemmas people face when they realize that things are not the way they thought they were. On that basis, I do think that my life experience has helped enormously. I like to people watch, and for my characters I take small personality quirks and expand them until they become threatening. Take the guy who watches his wife’s every move - he can’t take his eyes off her. What triggers would have to be pressed for this to become a dangerous obsession?



Did you try to get publishing contracts for your books early on with traditional book publishers? If so, did you have any success there or, if not, what was it that made you decide to self-publish the majority of your work?


I didn’t try very hard because I originally wrote for my own pleasure. Family members suggested I should try to find an agent, so I sent a few enquiry letters. The responses were encouraging, but nobody was actually ready to take my first book on. I didn’t do anything with it after that for quite a while, but when I saw that you could upload to the Kindle in the UK, I just thought I would give it a try – just to see what happened. I wasn’t expecting anything much at all, and so it wasn’t an active decision based on weighing up the options. It was merely the idea of ‘having a go’.



Many other successful self-published authors have established themselves and hit the best-seller lists with ‘Series Books’ – your novels follow this trend in that the lead character of Detective Inspector Tom Douglas drives the story forward with each new book. Usually, authors/publishers brand their books along the lines of “A Detective Tom Douglas Thriller” etc. You seem to have bucked this trend by not labeling your books as a series, despite their obvious connections. You have had great success with your books but I wondered why you haven’t been more obvious about calling your books a ‘series’? What are your thoughts on this and how important do you think series books are for self-published authors in establishing themselves and in regards to hitting the best-seller charts?



I love Tom Douglas, but I don’t consider my books to be principally about him. They are about the victims or the perpetrators of the crimes. Because most of my books involve murder, I usually feel the story is helped by the involvement of a policeman, and I have kept to the same character throughout. But when I think of ideas for my books, Tom doesn’t figure in the thinking. It’s the relationships and the crime that drive the books.



Having said that, I have introduced quite a bit of Tom’s personal life, and readers seem to enjoy it. And so for now I will continue to do that.



I am not sure whether it’s necessary to have a series. I think if you like an author’s writing style it doesn’t matter whether the same characters are in all of them or not. That only begins to matter if they have a developing story of their own – so the reader becomes interested in what is going to happen to them next.



Is diversification something you see as a growing necessity for contemporary self-published/indie authors, or is specialization (genre focus) more important in your opinion? If so/not please explain why.



It differs for each individual. In my case, I have an incredibly loyal band of readers who enjoy my books. If I suddenly started to write in some entirely different genre, I think they would be confused. If a writer has achieved success in a genre, it makes sense to continue writing for the same audience. But at the same time, if you enjoy the whole process of writing, you need to write from the heart and if that leads you in a different direction, you may feel you have to follow it.



You have previously written about how you go about soliciting reviews for your books. Has the way you gather reviews changed since you started publishing or is there still one method you find to be of the most use for getting good quality reviews?



There are three main sources of reviews for my books, and without a doubt the most important source is the reader – the person who has bought my book, has sat down and read it. But it takes time for those reviews to appear, and it is very useful to have some reviews available at launch. With that in mind, I use two sources – early readers and bloggers. The early readers are people who have been quite chatty about their enjoyment of my books, and I choose a small number for advance copies in return for an honest review. I also approach bloggers – I have a database of them – and ask if they would consider writing a review.



Is there any one thing that you have determined has helped you sell more books – i.e. could you outline your path to establishing your brand and your most successful sales method/s?



I am asked this question more than any other, and the truth is that the most successful sales method changes with every single book – because things move on so quickly. The most important thing is to raise awareness of your book – and you need to use whatever means you can. People say to me that Facebook and Twitter ads are a waste of time, because they cost as much as you might make on a book sale. But that is slightly missing the point. I recently ran an experiment with Twitter ads. One of my books was in a US promotion, so I ran some ads. The book rose up 300 places in the charts overnight and sales tripled. However, the number of click through on Twitter was far LESS than the increase in sales. The fact is that as the book rose up the charts with the small number of Twitter click through, it became more visible – more people became aware of it. So the majority of additional sales were from people who, until that point, hadn’t noticed the book.



Who designs your book covers and promotional material? How important do you think cover design is to a potential reader and how big a part do you think it has played in your success to date? 



My book covers are designed by a young man who used to work for me when I ran an interactive media company. I gave him his first job after university, and he’s still working for the company at a very senior level twenty years later. He’s a complete star! But he’s a very busy man, and so while he does the cover design, he no longer has time to do the promotional material. We’re currently looking for somebody to take on that task.



People often say that you don’t sell books because of the cover, but I disagree. It’s back to the awareness point. If your cover is attractive, people will notice it and begin to recognise it – and hopefully will be sufficiently interested to take a look.



In your opinion, is traditional publishing on the way out? Do you think that traditional publishing can continue to keep up with the rise of self-publishing?



I don’t think for a minute that traditional publishing is on the way out, and I would be very sad if that were the case. Traditional publishers do a great job, and when I am asked for my advice from other writers I often say that they should try traditional publishing first. Self-publishing is not going to work for everybody, and the traditional route is tried and tested.



Do you use other online publishers as an alternative to Amazon’s KDP and Createspace platforms? I.e. do you feel that it is necessary for self-published authors to use as many avenues in order to widely publicize and market their books to potential readers?


I used to make my books available on as many eBook retail sites as possible. But I now only sell on Amazon because in return for that I get better opportunities to promote my books. I don’t tend to use CreateSpace – although I have done. I now have my books professionally printed in bulk, so that I am able to distribute to bookstores.



Would you ever consider signing all your books to a traditional publishing house or will you always mange some of your titles yourself through self-publishing?


I never say never! At the moment, things are going well for me – but it is hard work. I am at my desk seven days a week, and sometimes the idea of somebody taking all of the extra stuff off my hands is very appealing.



Who knows what the future will bring? Five years ago I hadn’t published my first book, so I have no idea what the next five years will bring.



Have you ever used free book promotions? Do you think they are a worth-while marketing tool for self-published authors? If so/not – why?



I have never given my books away for free (other than to people I meet or know, of course). I haven’t found it necessary. I do know that some people have gained success that way – they have found that by giving away some of their books they build a readership who will then buy their books – but it’s not something I have ever been tempted to try.



Lots of changes have been occurring within Amazon’s KDP program/s (Select, Unlimited, Countdown etc.) over the past couple of years – do you feel that it is still possible for hard-working, self-published authors who write great stories, to become best-sellers by remaining exclusively with Amazon?



Absolutely. But it’s not necessary to remain exclusively with Amazon. There are advantages, and for the moment – for me at least – they outweigh the disadvantages. But if the story is good and captures people’s imagination, in the end it comes down to the ability to get the book noticed. And that’s the hard bit.



What would you say is the single biggest advantage of deciding to self-publish?



I suppose I would have to say it’s being my own boss. I work in conjunction with my agent who gives an amazing amount of advice based on her extensive experience. But between us we can decide not only the right schedule for publishing new titles, but also the right time to put books in promotions. We choose the cover, the title, write the blurb – and I might find it difficult to relinquish control.



I have to admit that also it is commercially very viable for me to be self-published, and at present that is attractive.




You took early retirement from a career in law and began your new career as an author. The fact that you took early retirement and moved to the Mediterranean begs the question as to whether your success has been helped by having a generous budget at your disposal to market your books. I.e. the old adage seems to apply that one has to ‘spend money to make money’ as evidenced by the likes of Mark Dawson who is quite open about spending 3-500 $/£ a day on Facebook advertising to boost his profile and his book sales. Do you think that a self-published author has to have a decent marketing budget in order to achieve success and hit the best-seller charts with the amount of competition out there currently?



It may surprise you to know that I had no marketing budget at all when I started writing. I do have now, but when I launched Only the Innocent I had just me – nobody helping me at all – a very old computer and a lot of extremely hard work. I don’t think I spent a single penny on marketing for at least a year, and now I spend very little on advertising. The majority of my marketing budget goes on people now – I have a couple of part time assistants who take away a lot of the day to day work leaving me free to write.



How important do you think social media and a strong active online presence is, to becoming a success as a self-published author?



It’s definitely one way of doing it – and the way that people seem to prefer. But there are other ways too. I have met people who have come up with totally different marketing ideas based around the content of their books. They write articles on an appropriate subject from their stories, aimed at those interested in the background to the content, rather than the genre of book, and they target clubs and groups who have similar interests. Social media is the means most often talked about, but I think self-published authors need to be open-minded about all marketing options.



Where to from here? Are you currently represented by an agent and are you working with any publishers on future projects?
I was signed by Lizzy Kremer of David Higham Associates when Only the Innocent became a best seller, and having an agent is probably the best decision I ever made. She is a huge help to me in so many ways, from editing my work to advising me on publicity, jackets, titles and generally keeping me focused.



For the moment, the plan is to remain self-published because it seems to be going well and so it’s probably best not to make too many changes. But who knows what will happen in the future.



Can you offer any advice to fellow writers if you could go back in time and “do it all over?” What’s your top tip for other indie authors?



Before you start to go down this road you need to ask yourself what success looks like to you, and then base your business plan on that. What matters most to you – number of readers, amount of money made, critical success? Once you know that, you can work out how to pursue that dream. But you need a plan. If I could do it all again I would do two things differently – I would write a marketing plan before I started, rather than two months after launch – and I would eat far fewer chocolate biscuits, the only thing that kept me going as I sat at the computer for fourteen hours a day trying to market my book!



Other than that, I wouldn’t change a thing.



Finally, thanks for sharing your thoughts on self-publishing. Where is the best place for readers to find your books?



All my books are available in both eBook and paperback from Amazon, but the printed books can be ordered from most good bookstores.



The following links go straight to your local Amazon online store.



http://mybook.to/Stranger-Child

Make sure you check out Rachel's website (and sign up for her newsletter) and connect via the links below:


Rachel Abbott's website
Rachel Abbott's blog
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