William Cook

Proud to say I have a story in this anthology (‘One Way Ticket’) – in fact, one of the more complex stories I’ve written and one that I hope operates on a few different levels. The Terror Train Anthology, published by the good folk at James Ward Kirk Fiction, includes both stories and poetry about murder, madness, mayhem, monsters, and the macabre on the rails! The stories take us on a train ride that begins in New York and ends in California, with a little time in Europe, and includes over forty stops in between. Included in this magnificent collection is one by the legendary William F. Nolan titled “Lonely Train A Comin’.” The old west, a character that travels back in time, a tale from the future – they are all there. We have stories full of evil, revenge, love, lust, and mystery. We even have a little noir and, of course, a whole lot of Horror! Trust me, it’s a ride you won’t soon forget. The anthology has been getting lots of positive reviews, so be sure to ch...

Recently I asked my author pals on Facebook for recommendations of “creepy, haunting classical music.” The following list is the best of the recommendations I received, along with some of my own favorites. While some have operatic elements, it was mainly the haunting melodies and invocation of atmospheric qualities I was looking for to inspire the writing of a ghost story. That story ended up being 'Dead and Buried' which is included in my collection ' Dreams of Thanatos. '  I usually have some music in the background when writing, especially atmospheric classical tunes with a gothic flavor. Hopefully you will find some new music here you have not heard before. Hell, it may even inspire you to write something suitably dramatic and haunting. Enjoy. Camille Saint-Saëns - Danse Macabre Mozart - Requiem György Ligeti - Requiem Le'rue Delashay - Through The Valley Of Death Liszt/Leibow...

Whatever you might think about serial killers and the vile deeds they do, there is no denying the morbid fascination they induce with their repugnant personalities and the bizarre (and often quite ordinary) reasons behind their abhorrent actions. The thing that continues to fascinate readers of true crime and global media networks is that these criminal monsters are on the outside everyday people like you and I. It is the mystery and the perversity of their inner worlds that marks them as objects of interest to amateur 'arm-chair' psychologists and detectives.  As an author who has dealt with this subject matter in my own work (' Blood Related ') I did countless hours of research into both real true-crime cases and fictional accounts of serial killers. With the publication of my book and the subsequent interest in it from the reading community at large, I have also had occasion to rub shoulders with other authors who share the same morbid curiosity about these c...

Tim Waggoner graciously let me reblog this fascinating little exploration of his on writing horror. THE (EXTREMELY) SHORT GUIDE TO WRITING HORROR  BY TIM WAGGONER Horror comes from a fear of the unknown. Keep a sense of mystery going in your story. What’s happening? Why is it happening? What’s going to happen next? How much worse is it going to get? Horror comes from a violation of what your characters consider to be normal reality. This violation shakes them to their very core because it raises the possibility that everything they thought they knew is wrong and that anything could happen. The Universe isn’t orderly or benign. It’s chaotic and malicious. Dread is the mounting anticipation of a threat drawing ever closer. Terror is a deep emotional and intellectual reaction to a threat, a profound realization that reality isn’t what we thought it was. Horror is an immediate reaction to a threat – disbelief, denial, turning away. Shock is a surprise, an ad...