Skip to main content

DCLXVI (a poem)

The following poem was published in artist Frank Walls’s art book, The Order of the Black Triangle (link at the bottom of the page). It accompanies this amazing painting (above) by Frank Walls.

DCLXVI


Call me what you will, for I am he who they call

Baphomet, Beelzebub, Satan, Lucifer, et al.

They say I am evil incarnate — the profane one who fell

But I am merely the sum of my muses

Whose sins feed my freedom from above

So below, my flock gathers to kiss my cloak

And blaspheme and swear to me their pathetic, deathless love


See Lilith twisting in the gloomy mire, her ashen flesh alluring

She was my first tainted muse, fraught with every indiscretion

She has since lured many with her sacred carrion call

And a multitude of golden sins from now unto the ancient days

When I, as Baal, roamed bloody Carthage streets with Tanit at my side

Then on to Gehenna and Phoenicia, fat on the souls of slain brats


Rivers of virginal blood scarred the earth

Tributaries to the Stygian underworld

Where my army of legion stands tall, hand to hand

Waiting for my beck and call

As the heartbeat of humanity pounds like a clanging bell

Each toll scarred into my blood-inked ledger

Each name registered for internment and entertainment

I summon roiling clouds of pain and fear and lust

For the new blood and the death of the lamb

Ashes to ashes, dust to dust . . .


And still, they come in reverence

The chosen ones who will their breath to me

Temptation lures them far away

From the illusion of divine sanctuary

Take this flesh and blood unto you, I say to them

So that it may make you real and truly flawed

For you have wandered far away

From the Land of Eden and false promises of your bastard God


I am the one who sees all undone in darkness and in light

This world slews on an axis of suffering and deceit

Eternalised by an obsession with what is wrong and what is right

This mortal muse knows no bounds, no cosmic revelation

As they crawl en masse like buzzing flies toward the deathly light

Towards the sun, the luminous moon, the self-throned liar lurking in the clouds

And it is this that makes me smile and grow and dance into the night


No song of mine, no rhetoric, or poem

Can sway those who so freely and wilfully come alone

To the dark kingdom, a dominion of my making,

Bequeathed to all who seek the throne.



If you enjoyed this poem, you will like my poetry collection, 
Corpus Delicti: Selected Poetry. 
Download your copy via the link below.
Click the image above to download.

This post first appeared in Grey Matter Dispatch, my Substack newsletter. To receive my free newsletter and support my work, subscribe below or use the Grey Matter Dispatch link 
(top right/sidebar).


If you’d like to check out more of Frank Walls amazing art, here is the link to The Order of the Black Triangle art book: https://www.orderoftheblacktriangle.com/


#occultpoetry #poetry #darkpoetry #horrorpoetry #gothicpoetry #poem #gothic #esoteric #occult #horror

Popular posts from this blog

So you wanna be an indie horror writing superstar?

This article outlines the pros and cons of being an indie horror author on Amazon.com. Hey, fellow writers! If you’ve got a penchant for writing spine-tingling stories and you’re ready to dive into the world of indie horror publishing on Amazon.com, this article is for you.  After ten years of part-time indie publishing with the ‘zon, I’ve learnt a few things along the way. I’m still not at the stage where I’m able to support my family with the profits from my writing, but I’m seeing results (and $) and I hope to go full-time before the end of 2024.  Before switching to independent (‘indie’) publishing, I’d had limited success going down the traditional publishing route. The freedom to control the packaging, marketing, and publishing schedule was the biggest drawcard for me to switch to self-publishing.  When I started making monthly profits from my efforts, without the massive royalty cuts the traditional publishers took from me in the past, my decision was validated and...

The Fangoria Horror Business Model

Along with Stephen King and Hammer Horror, Fangoria magazine was one of the earliest influences on my obsession with Horror in all its various forms. I scored a binder filled with the first 12 issues when I was 14 and became a devout subscriber. 40+ years later, Fangoria’s transformation from a struggling print magazine into a multimedia powerhouse is a story of resilience, innovation, and strategic growth. Their journey provides valuable insights for anyone in the horror business – whether you’re running a small indie publishing house, starting a podcast, or looking to scale your horror-themed merchandise line. Let’s break down Fangoria’s rise to success, the strategies that set it apart, and why it’s the ultimate business model for horrorpreneurs at any level. Fangoria’s launch Fangoria began as a print magazine focused on sci-fi and fantasy under the name Fantastica . This title was short-lived due to its similarity to  Fantastic Films  magazine, and it was forced to cea...

THE (EXTREMELY) SHORT GUIDE TO WRITING HORROR BY TIM WAGGONER

Tim Waggoner graciously let me reblog this fascinating little exploration of his on writing horror. THE (EXTREMELY) SHORT GUIDE TO WRITING HORROR  BY TIM WAGGONER Horror comes from a fear of the unknown. Keep a sense of mystery going in your story. What’s happening? Why is it happening? What’s going to happen next? How much worse is it going to get? Horror comes from a violation of what your characters consider to be normal reality. This violation shakes them to their very core because it raises the possibility that everything they thought they knew is wrong and that anything could happen. The Universe isn’t orderly or benign. It’s chaotic and malicious. Dread is the mounting anticipation of a threat drawing ever closer. Terror is a deep emotional and intellectual reaction to a threat, a profound realization that reality isn’t what we thought it was. Horror is an immediate reaction to a threat – disbelief, denial, turning away. Shock is a surprise, an ad...