Showing posts with label Corpus Delicti. Show all posts
Showing posts with label Corpus Delicti. Show all posts

Corpus Delicti - Poetry Collection, Critique by Anthony Servante

Recently, this very insightful and intelligent critique of my poetry collection, 'Corpus Delicti', was posted online by Anthony Servante. Please have a read and visit Mr Servante's wonderful blog for more interesting and thoughtful article and reviews.

Poetry Today February 2015
Featuring William Cook
Critique by Anthony Servante



Just as Andrew D. Blacet represents the poetry of stream of consciousness, William Cook reflects the work of self-awareness, what the Romantic Poets called "sublime realization". Utilizing the form of a "journal" to capture his perspective, Cook escorts us through a prosaic journey "between birth and death", not so much "life" as the waiting period of consciousness as it develops only to die. Thus the title "Corpus Delicti", an allusion to a crime without the evidence of a body, or rather, a body of work without the evidence of existence. The book of selected poetry becomes that body, that proof of life, that self-awareness of being without beginning or end, or in Cook's words: "the realization of a truth about oneself...And this new knowledge of the soul — that there is no soul, no muse, no thinking heart . . . it is the worst truth I have ever had to bear". And so he shared his burden with his readers. It is our intent here to see how he does so in poetic deed.

If we read each of the poems as if they were each a breath the poet is taking and that each breath will lead to death, we can understand how William Cook has arranged his words for us to empathize with rather than understand. This is not a puzzle with one solution. It is more a prism with a sequence of colors leading to blackness or in this case the absence of color. It is more about the order of chaos rather than a "meaning" to life. We can call this empathetic reading a "subjective correlative", a personal reading unique unto each reader rather than a unified book of poems with a universal truth that we can all identify with. That is not the experience here. But allow me to delineate a bit to discuss the "objective correlative" from which I have altered my phrase to better appreciate its relevance and history given Cook's poetic rapport with the Age of Romanticism.

T.S. Eliot, poet and literary critic, developed the "objective correlative" in his criticism of Shakespeare's Hamlet. Simply, it is the evocation of emotion by its representation in the work (poem, play, painting, etc) or the corresponding "image" in the world to the word or symbol of the image. We write "my first puppy" and its corresponding emotion should be a nostalgically pleasant memory of one's own first puppy. And this definition worked fine for the Romantic critics, but today we must not trust to its universality. Not all people have pleasant memories of their first puppy. Some of us wept in terror when we were first introduced to this four-legged beast, while others suffered an allergic reaction. We understand what the writer intends when he writes of his first puppy, we understand the consensus, but we each have our own empathetic relationship to the term, namely, "I screamed" or "I sneezed" rather than I fell in love with the little critter. It is this personal correspondent with the image, rather than the intellectual understanding of it, that we call the subjective correlative. We want to find ourselves in the work, not the artist.

Corpus Delicti is a challenge to our emotions, not our intellect. To read it as an objective correlative is to detach oneself from the experience; to read it as a subjective correlative is to share Cook's experience with our own, for each individual consciousness is itself an object in the world just as much as a puppy or chair or poem. In Circle of Ouroboros, the poet points out this relation of the work to the readers,

And so the steps one makes towards the end
to quote a cliché
are aspects of the journey
the final destination relegated
to the ethereal realms of the unknown
the infinite possibilities that exist
outside of human consciousness (p 13).

To know the "unknown" is to know ourselves outside of human awareness, just as we understand Cook's realization of this "cliché" (that is, its universality). In New dawn prophecy, Cook expands on this alienating realization, 

What lies outside the heart and soul is restriction
that leads an arterial bypass past life’s true intentions (p 14).

How does one come to know one's self? Alone, one can only know alienation and solitude, but via others (friends, poetry, art, etc), we find our humanity, our individuality among the multitude. 

In Epiphanous vision, the poetry echoes the fallibility ("bullshit") of finding universal truths, whereas individual truths coalesce with others' truths,

nothing is as plain as it seems
when you put words to it
when you apply words to the world ...

perhaps of some consequence
to the greater scheme of things
(whatever that may be!)
‘truth’ that elusive quagmire
of common census
inferring evidence
that many, can make one reality
and that it is without variance
indisputable . . .
bullshit!!! (p 17).

"Without variance", there can be no universal truth. We vary as individuals and it is with variance that we find ourselves rather than a "greater scheme" (an objective correlative to reality or the world). 

Once William Cook has established this intent for the reader to experience, he delves into the workings of individual minds. In Terror is not my thing, Cook joins his experience with his readers, "It’s fear for all and all for fear" (p 22). In Dead Love, he is more specific in his emotive description, "My warm loving cadaver we are one, forever". The cadaver can be read as his lover or his own dead body, the vessel that his life occupies. This dualism (other and self) represents individuality as single being and collective beings, just as the reader and the poet become one through the "corpus delicti".

In Truth, Cook gives us a straightforward accounting of the universality of emotions: 

Truth is: hunger
pain/death
violence/dissolution
apathy/hope . . .
Anything
you want it to be.
I believe . . . (p 33).

The italicized "I believe" describes the poet's thoughts on "truth" after sharing with us those universal emotions that we all identify with in our own way (subjective correlative) while this belief also asserts Cook's own identity as its own subjective correlative. Very clever. Very forceful. Then in ironic reflection, Cook restates this truth in I who am no one:

I is nothing and
I speak for all of us when
I say that (p 34)

Ego is everything and nothing. All egos are also everything and nothing. But our collective empathy with this "truth" is the only truth we can realize. Much as the individual can be alone in a crowd, so too can he be the crowd. Cook teases us with this irony. Think of the illusion where the drawing can be seen as an old woman or a young woman. Which is it? Neither. And both.

The totality of the poetry of Corpus Delicti echoes that last sentiment, for the book is neither the work of William Cook nor our own reflections, but both. In this dark journal of self-realization, self-deprecation, and selfish irony, William Cook has given us the abyss that we stare into just as it stares into us. 


Get your copy here.

Anthony Servante, Review, Corpus Delicti, Poetry, Critical Analysis, Literary Criticism, critique,

Call for nominations for the SFFANZ Sir Julius Vogel Awards.

Nominations are now being accepted for the SFFANZ 2015 Sir Julius Vogel Awards (see below for link/details) and I have two books that are eligible for the ballot this year: Dreams of Thanatos: Collected Macabre Tales and Corpus Delicti: Selected Poetry.




The nomination period will close at 8.00pm on 31st January 2015. The awards recognize excellence in science fiction, fantasy, or horror works created by New Zealanders and New Zealand residents, and first published or released in the 2014 calendar year.

Anyone can make a nomination and it is free! To make a nomination please email sjv_awards@sffanz.org.nz

Just copy and paste the following info (for one or both) into the body of your email:

WHAT to Put On the Nomination

For Dreams of Thanatos: Collected Macabre Tales

ESSENTIAL Information
This is to enable SFFANZ to verify and process the nomination.
  1. Name / Title of work - Dreams of Thanatos: Collected Macabre Tales
  2. Name of Producer / Author / Creator - William Cook
  3. What the work is i.e. - Collection (Short Fiction)
  4. Year of First Release - 2014
  5. What category you think the nomination belongs to - Professional Awards - Best Collected Work
  6. GENRE - Horror
  7. Contact details of the person making the nomination e.g. email or/and phone number
NOTE : If the only contact details you have are the publisher's contact information on the book you are nominating, that should be sufficient.

HELPFUL Information But NOT Essential
  1. Publisher / Production company name - King Billy Publications
  2. How to contact the producer / author - williamcookauthor@gmail.com, 64 4 385 2456
  3. Other details about the work, that might be relevant - Print, Mobi, Epub
  4. Where to get a copy of the work - Amazon, Kobo, Author
  5. Any other comments you wish to add
 ****************************************************************

For Corpus Delicti: Selected Poetry

ESSENTIAL Information
This is to enable SFFANZ to verify and process the nomination.
  1. Name / Title of work - Corpus Delicti: Selected Poetry
  2. Name of Producer / Author / Creator - William Cook
  3. What the work is i.e. - Collection (Poetry)
  4. Year of First Release - 2014
  5. What category you think the nomination belongs to - Professional Awards - Best Collected Work
  6. GENRE - Horror
  7. Contact details of the person making the nomination e.g. email or/and phone number
NOTE : If the only contact details you have are the publisher's contact information on the book you are nominating, that should be sufficient.

HELPFUL Information But NOT Essential
  1. Publisher / Production company name - James Ward Kirk Fiction (U.S.)
  2. How to contact the producer / author - williamcookauthor@gmail.com, 64 4 385 2456
  3. Other details about the work, that might be relevant - Print, Mobi, Epub
  4. Where to get a copy of the work - Amazon, Kobo, Author
  5. Any other comments you wish to add
 ********************************************************************************

HOW Many Times May You Nominate?


  1. You may nominate as many works as you feel is appropriate.
  2. You may nominate more than one eligible work in the same category. This would suit people who are major fans of one media in particular e.g. people who read a lot of books or short stories.
  3. You may nominate the same work in multiple categories if it fits the criteria of those categories.
  4. You MAY NOT nominate a work more than once in any given category.

The rules, criteria and categories for the awards can be found by clicking this link. Guidelines for nominations can be found by clicking this link.

*Remember - You don’t need to be a member of any group or organization to vote/nominate, so if you've read my eligible work, why not show your appreciation and support by taking a moment to cast a nomination? I'd really appreciate a nomination as it would be a massive boost to my career as a writer if I won an award like this, or even if my work reached the final ballot.

The categories are (my *books are eligible in the underlined categories):

Professional Categories:
Best Novel
Best Youth Novel
Best Novella or Novelette
Best Short Story
 

*Best Collected Work
Best Artwork
Dramatic Presentation
Best Production/Publication

*Best New Talent 
Fan Categories:
Best Fan Writing
Best Fan Artwork
Best Fan Production/Publication 

Special Awards:
Services to Fandom
Services to Science Fiction, Fantasy or Horror

 
Once again, the two books I have that are eligible this year are:
Dreams of Thanatos: Collected Macabre Tales and Corpus Delicti: Selected Poetry

Of course, these two titles are just a few of the works eligible for nominations, so have a read, take a look and cast away, me hearties.

Thanks for reading and voting (hopefully).



Latest Review for Corpus Delicit: Selected Poetry by William Cook

Very pleased to have secured another great review from the fine folk at 'The Horror Fiction Review.' Thanks to Christine Morgan (< make sure you check out her website) who gave a fair and insightful review of my latest collection - Corpus Delicti: Selected Poetry.


CORPUS DELICTI by William Cook (2014 James Ward Kirk Publishing / 210 pp / trade paperback)


"Poetry can just be so cool … language in a more freeform, flowing arrangement … imagery and evocation … the sound and rhythm of the words, and even the look of them on the page, as much an element as their meaning. 

It can also be challenging, maddening, baffling, incomprehensible, and weird. Does it have to rhyme? Is it like a song, or not? How does it work? What is it? What does it do? What does it MEAN? Or, for that matter, DOES it mean anything? And so on. Vincenzo Bilof’s introduction to this collection sums up all that better than I can. 

And then you get to William Cook’s collection of poems. Rest assured, this is no slim poetry chapbook. This is a BOOK. Almost 300 pages, something like 140 poems, two decades’ worth of accumulated artistic craftsmanship. 

Don’t go thinking that poetry equals sappy flowery greeting card stuff, either. These are dark jewels, bloodied and moonlit. These are raw nerves, the exposed heart and meat and emotion. These are heinous acts framed in beauty, and beauty wrapped in hideousness.

As to whether they’re romantic – isn’t that one of those big poetry things, after all? – well, it’d depend on who you were trying to romance. I know some people who might seriously go for being courted with such poems. How worrisome that may or may not be, I’ll leave up to your own discretion.  

With so many poems, and blending together in the harmonious threads that they do, it’s pretty well impossible for me to single out any particular few by title. Some, I know I just didn’t ‘get,’ but I figure that’s more on me than on the poems or the poet. 

I found myself uttering “oh wow” and “ooh that’s nice” and various wordless noises of appreciation several times at particularly stunning bits of phrasing, lines that made me just have to pause for a moment or two to reflect, to admire and think and mentally savor the resonance. 

Admittedly, they may not have been the best thing to be reading during a stressful time surrounded by difficulties, depression and drama. Then again, maybe that’s the perfect time. Maybe that’s when they’re most needed."

-Christine Morgan

The Horror Fiction Review, Christine Morgan, Corpus Delicti, Poetry, William Cook, James Ward Kirk Fiction, Review, Vincenzo Bilof

Recent Interview

Recently I was interviewed by author and fellow countryman Tim Jones for his wonderful blog 'Books in the Trees'. I first met Tim whilst completing a creative writing course at Victoria University run by Science Fiction author Robert Onopa. Tim is a fantastic writer and I had the good fortune of being able to include his wonderful story 'Protein' in my horror anthology, Fresh Fear: Contemporary Horror. Please note that Tim is running a give-away for 5 e-copies of Fresh Fear so please visit his blog and follow the prompts to win a copy. Anyway, without further ado, here is the interview:

 

An Interview With William Cook


William Cook was born and raised in New Zealand and is the author of the novel Blood Related. He has written many short stories that have appeared in anthologies and has authored two short-story collections (Dreams of Thanatos and Death Quartet) and two collections of poetry (Journey: the search for something and Corpus Delicti).

His work has been praised by Joe McKinney, Billie Sue Mosiman, Anna Taborska, Rocky Wood and many other notable writers and editors. William is also the editor of the anthology Fresh Fear: Contemporary Horror, published by James Ward Kirk Fiction.

*** William has kindly made five copies of the Kindle edition of Fresh Fear available to give away! Leave a comment at the end of this article, or respond on Twitter or Facebook, to be in with a chance to win one ***

1) As you mention, you're the editor of the recently published anthology Fresh Fear: Contemporary Horror, in which I'm very pleased to have a story. I'm less familiar with the horror field than I used to be back in the 1980s and 1990s, but even I can see that you've got some major names in there, notably Ramsey Campbell and Jack Dann. How did you manage to secure their work for the anthology?

It took a lot of networking and detective work to track down contact details for some of the bigger names I wanted to include in the anthology. I have been a fan of Ramsey Campbell’s for a long time and consider him the premier U.K. writer of horror, so it was important for me to try and secure one of his stories for the publication. Thankfully he agreed to sell me the rights to one of his stories (Wonderland’) and it was one that I had read before and felt was a good fit for the anthology.

Most of the bigger names were approachable; some more generous than others but most willing to part with stories (mainly reprints) for pro-rates if they didn’t feel the contributor rates were applicable. Jack Dann allowed me the use of his wonderfully frightening story ‘Camps’ and is one of the nicest and most generous authors I’ve met. I feel very honoured to have communicated with some of my favourite authors (albeit via electronic/virtual means) with this anthology and for that reason alone I feel it was worth the cost overall; it also proved a real boost to some of the up-and-coming authors to appear in an anthology alongside the likes of Campbell, Dann, Mosiman, Dunbar et al.




2) Are there common themes that emerge from within a number of these stories, or does the anthology cover the full scope of horror fiction?


The only real criterion I had in mind when selecting the stories for Fresh Fear was that they had to contain the element of fear somehow. I leant slightly towards ‘quiet’ horror when and if it was of a high enough standard but the end result was a really diverse range of stories, ranging from quite hard-core horror to more subtle narratives.

One commonality that emerged from the huge pile of submissions was the amount of stories set in post-apocalyptic or dystopian worlds; so I did become aware that the influx of these kind of stories had to be whittled down to give the reader a more diverse reading experience, as was my original intention. But, in answer to your question, I would say that the only real commonality is that the stories are well-written and that they all contain an element of fear that should entertain the readers’ adrenal glands.

3) Is this the first anthology you've edited, and how did you get interested in editing anthologies?

Yes, it is the first one that I’ve edited. I have always wanted to create my own horror anthology as I’m a big fan of them having falling in love early on with the Pan (Herbert Van Thal ed.) and Fontana collections of the late 70s and early 80s. It is how I, and I suspect, most other readers of horror have discovered new talents and writers of the genre and continue to do so. My interest stems from my love and fascination with the genre and I hope that I get the chance to edit more over the following years. I have always wanted to put together a very eclectic classical horror anthology with the best illustrations to accompany the selection of my favourite stories. One day.

4) Of course, you're also known as a horror novelist, with your novel Blood Related [receiving good reviews. Without giving too much away, what can readers expect from Blood Related?

By way of an answer to your question, I sent a copy to a favourite psychological thriller author – Jonathan Nasaw (author of ‘Fear Itself,’ ‘The Girls He Adored,’ ‘When She Was Bad’ etc). Now this guy is the standard by which I measured BR – his novels are usually about depraved serial killers and are very dark, so his reply shocked me in such a way that I had to ask his permission to use it as a blurb. “Dark and deeply disturbing,” was his reply. Apparently, he had to put it down after reading the first section because it disturbed him too much! Another reviewer has summed up BR nicely – here’s how they described the novel:

“William Cook's presentation of a family of murderers, most notably the twin brothers Caleb and Charlie, is a chronicle that charts the evolution (or de-evolution) of a killer's psyche. There is a plot in this novel, or rather, a series of events that result in the book's conclusion (no spoilers here). A revolutionary plot on the manic scale of Charles Manson, a damaged family unit that has been depicted in classic horror films like Texas Chainsaw Massacre and House of 1000 Corpses, and the downward spiral of the novel's "good guy" all illustrate the environmental conditions which create such monstrosities. Cook did very thorough research; no stone was left unturned, no cause behind the madness unexplored.”




5) You're also a poet, and of course, there's a long tradition of horror poetry, stretching back at least to Edgar Allen Poe. What makes for good horror poetry?

There are so many variables and subjective considerations when one makes a value judgement about what constitutes ‘good’ poetry that it is hard to nail down. ‘Horror poetry’ is a fairly loose term and is not as widely accepted as say ‘Gothic’ poems, but recent years have seen the rise of a number of poets who do write poetry that engages tropes most commonly found in horror novels/fiction. An element of dread must always be present – a sense of foreboding; this can be achieved with the cadence and meter of the poem and is also emphasized by the use of onomatopoeia and description.

 

I’m personally not a great fan of rhyming poetry and prefer subtle use of alliteration and simile – the poems that really speak to me as works of horror are usually succinct and pack a punch. The poem should make the reader draw breath as they read and to twist their thoughts and emotion in a way that will leave a marked impression. Too much horror poetry relies on mediocre rhyme schemes and fails to deliver impact because of it. You can have a fantastic idea and a scary premise that can be delivered effectively with free verse, but as soon as a rhyme scheme is used it comes across as a cheesy Pam Ayers-type limerick. The poetry that does it right is usually well edited and tightly wrought with selective use of words and phrasing.
 

Some contemporary poets who I feel do ‘horror poetry’ well are Charlee Jacob, Vincenzo Bilof, Lori Lopez, and Jaye Thomas, and Bruce Boston, to name a few of my favourites.

6) Now that you've finished work on Fresh Fear, what projects do you currently have on the go?

I am currently editing a collection of my 101-year-old Grandfather’s poetry, which is proving to be a challenge. He is a very prolific writer but has seldom been published due to the fact that he has not really shared his work. So there are many hours of reading and editing to get his work to a publishable stage. I am hoping to have his collection published by the end of August, so that he can actually hold a copy in his hands of his own work before he shuffles off this mortal coil. I am also working on a new collection of verse and essays titled ‘Beyond the Black Gate’ – essentially an exploration of depression and its effects and origins. Half of the book will deal with the darker side of depression and the latter half will deal with coping mechanisms and hope. I have a few collaborations I’m working on also including a collection of YA horror stories. For more on all my upcoming and ongoing projects, please come and visit me at my website: http://williamcookwriter.com


7) I know that you've put a lot of effort into building up your social media presence to create a sales platform for your work. What advice do you have for writers who think social media is not for them, or who are just starting to make use of it?

Unfortunately it is a necessary evil but if you can, don’t view it as such. Without the various social medias I would not have achieved the publishing goals I have set for myself so far. I would not have met the publishers, editors, fellow writers, and most importantly – readers. Network, network, network, is the rule of thumb with social media. Use the various platforms for the promotion of your books but use common sense. Don’t over-post things or you will lose the contacts that you have quite quickly – no-one likes a ‘spammer.’


Despite Facebook being the largest social network available it is pretty useless for sharing posts that you make – i.e. you do not have share options that link your FB posts with the likes of Twitter, Pinterest, Google+, MySpace, LinkedIn etc. I believe it is best to have a platform such as a website if you are serious about promoting your work online. Wordpress, Blogger, Wix, Tumblr etc are all viable options and best of all they are free.


Once you have your website/blog set up, then you can use it to share your posts via the social media sites. Most blogs/websites have options for automated sharing of your posts which can save lots of (writing) time and is the most effective way of cross-market promotion. There are countless tutorials via each of these platforms in the help sections or on YouTube.com etc.


Essentially, you need an online presence if you are to succeed as an author in this day and age – especially if you are going down the independent or self-publishing route. The one piece of advice I think is important is to not let it (social media) consume you – I have wasted far too much time over the years on it when I should’ve been writing but in saying that, I have learnt many valuable lessons too. One other point is to remember who it is you are trying to market your work to - the reader.


8) You've recently been involved in setting up the NZ Horror Writers' Facebook Group. Who should get involved, and why?

Well it was more of an experiment than anything else really. I was curious as to how many New Zealand authors write horror and whether there was a need for such a group. So far the response has been positive but I think a more apt title for the group would be: New Zealand Dark Fiction Authors. If you write dark fiction/horror and want a forum for your ideas and to network with other like minds them it would probably be a good place to start.


Many of the members are also active members in groups like the AHWA (Australian Horror Writers Association), SpecFicNZ and the HWA and use the group to share open submission calls and industry news. The criteria for membership is pretty simple – if you are a New Zealander and you write within the genres mentioned, come join up.


9) In addition to those with stories included in Fresh Fear, who are up and coming horror writers that readers should be looking out for?
 

There are so many good writers out there with little or no recognition. Some of the more promising authors that I have had the pleasure of dealing with are as follows: Vincenzo Bilof, Carole Gill, Scathe meic Beorh, Lindsey Beth Goddard, William Malmborg, Anna Taborska, Dane Hatchell, Thomas A. Erb.
There are so many and I’m sure to have missed out others. For a full list of recommended authors, please come and visit my website where I have a full page devoted to writers who are good at what they do.


*** William has kindly made five copies of the Kindle edition of Fresh Fear available to give away! Leave a comment at the end of this article, or respond on Twitter or Facebook, to be in with a chance to win one ***



Tim Jones, Books in The Trees, Robert Onopa, Charlee Jacob, Vincenzo Bilof, Lori Lopez, Jaye Thomas, Bruce Boston, William Cook, Poetry, Horror, Publishing, Books, Fresh Fear, Dreams of Thanatos, Corpus Delicti, Jonathan Nasaw, Joe McKinney, Billie Sue Mosiman, Anna Taborska, Rocky Wood, Carole Gill, Scathe meic Beorh, Lindsey Beth Goddard, William Malmborg, Dane Hatchell, Thomas A. Erb.

New 'My Books' page and update

Hi everyone - time to update my publications page/s. I have recently added a My Books page where you can easily find a display of all my current titles. I will update this page as more come to hand. I am also preparing a new page especially regarding all the anthologies and magazines where my work has appeared (will do a new post when it is ready to go live). Both pages will have live links and excerpts to make it easy for anyone who wants to check out my work. A heart-felt thanks to all of those who have taken the time to read this website/blog and especially to those of you who have taken a chance on a newbie author and actually purchased my work. If you have read something you like please spare a moment and drop a review on the appropriate Amazon page - it really helps a lot to raise my profile and encourages me greatly to continue this crazy occupation and produce more work for you to read. Thanks again.

William Cook

BLOOD RELATED

http://www.amazon.com/Blood-Related-William-Cook-ebook/dp/B009WU5PNQ/ref=la_B003PA513I_1_5?s=books&ie=UTF8&qid=1405901050&sr=1-5

"Dark and deeply disturbing."
- Jonathan Nasaw, author of Fear Itself and The Girls He Adored.

"Blood Related is a nasty but nuanced take on the serial killer genre. Cook's bruising tale of twin psychopaths who are as cold as mortuary slabs is not for the weak-kneed."
- Laird Barron, author of Occultation and The Imago Sequence.

"A thought-provoking thriller."
- Guy N Smith, author of Night of The Crabs and Deadbeat.

"Great - Riveting - Amazing - take your pick. I just read William Cook's Blood Related for the second time. Both readings were followed with one thought, Wow. A horrific crime-filled tale of terror that makes us understand why we lock our doors at night, Blood Related is by far the best read I've experienced in years."
- John Paul Allen, author of Monkey Love and Gifted Trust

"Blood Related is a terrifying psychological thriller. William Cook is an author to watch." 
- Mark Edward Hall, author of The Lost Village and The Holocaust Opera.

"William Cook makes serial killer fiction exciting again! Expert narrative, bursting with flare, originality, and enough passion and brutality that even a real-life serial killer will love this book . . . and it's twisted and complex enough to make you question your own sanity after the first intense read."
- Nicholas Grabowsky, best-selling author of Halloween IV and Everborn.

About Blood Related

A novel of 383 pages.
Meet the Cunninghams . . . A family bound by evil and the blood they have spilled.

Meet Caleb Samael Cunningham, a diabolical serial-killer with an inherited psychopathology, passed down via a blood-soaked genealogy. Caleb is a disturbed young man whose violent father is a suspected serial killer and mother, an insane alcoholic. After his Father's suicide, Cunningham's disturbing fantasy-life becomes reality, as he begins his killing spree in earnest. His identical twin brother Charlie is to be released from an asylum and all hell is about to break loose, when the brothers combine their deviant talents.

Semi-finalist in The Kindle Book Reviews - Indie Book of the Year 2012 - Mystery/Thriller category.

 

DREAMS OF THANATOS 

http://www.amazon.com/Dreams-Thanatos-Collected-Macabre-Tales/dp/1495994333/ref=la_B003PA513I_1_3?s=books&ie=UTF8&qid=1405901050&sr=1-3


About Dreams of Thanatos

DREAMS OF THANATOS: Collected Macabre Tales

Dreams of Thanatos is a collection of macabre short fiction from William Cook, the author of the novel Blood Related. Demons, murderers and ghosts roam these pages although the most horrifying aspect Cook describes, is the dark soul of humanity. Whether writing about the horrors of modern life, or things that go ‘bump in the night,’ Cook’s writing is always “intense” and often “visceral” in his portrayal of the macabre. Included in this collection of fifteen stories is a novelette (Dead and Buried) and the origin story (Legacy: The Eternal Now and Thereafter) behind the novel, Blood Related. 

WARNING: STRONG SCENES OF VIOLENCE AND HORROR (Not suitable for minors). READER DISCRETION STRONGLY ADVISED.  

“This man is simply scary. There is both a clinical thoroughness and a heartfelt emotional thoroughness to his writing. He manages to shock as well as empathize, to scare as well as acclimatize, yet beneath it all is a well read intelligence that demands to be engaged. I loved Blood Related. Ordinarily I hate serial killer stories, but William Cook won me over. He is a unique and innovative talent.” – Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dog Days



CORPUS DELICTI

http://www.amazon.com/Corpus-Delicti-William-Cook/dp/0692210849/ref=la_B003PA513I_1_4?s=books&ie=UTF8&qid=1405901050&sr=1-4


About Corpus Delicti

Corpus Delicti: Selected Poetry, is an eclectic collection of verse selected from over twenty years of writing. Nearly 200 pages of poetry that deals with darker aspects of life in a philosophical and experiential manner. While many of the poems are of a darker nature, readers will also find uplifting poems that counter the more taboo subjects in Corpus Delicti.

A reader's review:

May 25, 2014 by Anthony Servante
Format:Kindle Edition

"Corpus Delicti by William Cook is an extravagant challenge. It is at once an abundant selection of poems on a wide range of topics while it is also individual little gems that captivate the reader. One might say that each poem has its own job, its own vision that leads one to the next poem, and so on. If anything, its greatest feature, its size, is also my one criticism. I see three books here, a trilogy, in one volume. But that's good news for poetry fans: you get three books in one, close to two hundred pages of gems to appreciate one by one. This is not a book to devour in one sitting. It is to be savored slowly, over multiple readings, perhaps three to four poems at a time. I tried random readings and sequential readings, and both work equally fine, with only a subtle difference in reading experience. It is not often that a book of such magnitude of thought and word reaches the modern reader. Purchase Corpus Delicti with confidence that you will have a year's worth of reading joy and introspection. And if you come to read William Cook from his fictional work, then you are in for a treat. Fans of Blood Related can enjoy these little intellectual challenges to the mind in the same way we enjoyed Cook's toying with the line between fiction and nonfiction with his serial killers in Blood Related. The pulse of poetry is as strong as the poet's heart in this very large compilation of poems."

 Blurbs


"William Cook is an uncompromising horror writer. Be prepared to slink down the underbelly of the world as visions are revealed that can't be unseen. Strong stomachs required here folks!"
- Rocky Wood, President of The Horror Writers Association and Stephen King biographer.

"William Cook - writer, poet, artist, editor. This talented man has no illusions about the horror that is human nature. His exploration of torture, murder and mayhem combines the scientific precision of a scientist dissecting a specimen with the creative flair of a sculptor working with words. Something tells me that he is just getting started and we'll be seeing a lot more of his dark crafts in the future."
- Anna Taborska, author of For Those Who Dream Monsters, director of The Rain Has Stopped, Ela, The Sin, My Uprising, A Fragment of Being




DEATH QUARTET (E-BOOK)

http://www.amazon.com/Death-Quartet-Short-Horror-Fiction-ebook/dp/B00FPT3MZQ/ref=la_B003PA513I_1_6?s=books&ie=UTF8&qid=1405901050&sr=1-6


About Death Quartet


DEATH QUARTET (A Selection of Short Horror Fiction & Verse) is an eclectic miscellany of stories, poems, and ephemera, wherein the subject matter relates to the study of homicide and the aesthetic portrayal of such an act. In other words, themes of death and murder abound in this horrific collection brought to you by William Cook, an up-and-coming indie author of macabre fiction and the novel 'Blood Related.'

Amongst the selection of four short stories you will find the never-before-seen 'origin story' that generated the novel 'Blood Related'. A stand alone story in its own right, 'Legacy: The Eternal Now and Thereafter' rounds off DEATH QUARTET and gives fans of Cook's novel Blood Related a chance to see where it all began. Make sure you read it with the doors locked.


From Blinded by the Light:

"The tip of the sharp blade pressed hard on Patrick's lower eyelid. A tear bubbled and fell from his twelve-year-old eyelashes, gathering in the indent caused by the presence of the knife, before running the full length of his young face and falling onto his white t-shirt. His dad's breath smelt bad, real bad - like something had died inside him and was stinking him up big-time. Patrick stood on his toes, his father's muscled forearm pressing hard against his chest, pinning his scrawny back against the kitchen wall. Patrick stood as still as possible, cross-eyed with fear, his gaze never left the glint of the knife's blade in his face. His father gave the tip a slight twist and Patrick felt a stab of pain as warm blood traced the path of his tears to drop on his t-shirt. Patrick's breath hitched and all he could think to himself was - "this is it! Dad is gonna kill me. He's gonna kill me. He's gonna . . ."


DEAD AND BURIED (E-BOOK)

http://www.amazon.com/Buried-Supernatural-Young-Adult-Thriller-ebook/dp/B00IJMI8T6/ref=la_B003PA513I_1_10?s=books&ie=UTF8&qid=1405901050&sr=1-10


About Dead and Buried

DEAD AND BURIED: A Supernatural Young Adult Thriller
 

A Novelette.

Ever been bullied? Ever been murdered? Ever been dead and buried? Ever been a ghost?


Donny is sick of everything, at home and at school. Most of all, he hates the bullies who have made his life a living hell. Strange things have been happening in the Cox household – Donny’s mother has mysteriously disappeared and his drunken father has been acting more strangely than usual. Donny’s little brother Max is relying on him to find their mother and to protect him from all the things little kids need protecting from. The local gang of thugs is intent on making Donny and Max’s lives as miserable as possible. They will resort to almost anything to make the Cox brothers’ suffer. What the bullies don’t consider, is the possibility that their cruel actions will have consequences far beyond their realms of imagination. 

A supernatural coming-of-age story that deals with the consequences of bullying.


Recommended for mature Young Adult readers 16yrs +
Contains scenes of violence and low-level supernatural horror.

“This man is simply scary. There is both a clinical thoroughness and a heartfelt emotional thoroughness to his writing. He manages to shock as well as empathize, to scare as well as acclimatize, yet beneath it all is a well read intelligence that demands to be engaged. I loved Blood Related. Ordinarily I hate serial killer stories, but William Cook won me over. He is a unique and innovative talent.”
– Joe McKinney, Bram Stoker Award-winning author of Flesh Eaters and Dog Days


CREEP (E-BOOK SHORT)


About Creep


(Short Story - approx 8,500 words + Novel Excerpt from Blood Related)

Be careful who you get into a car with, even if that car is a taxi! A dark story of a young girl's date with death. CREEP is a story that will leave you on the edge of your seat until the gripping climax which is unexpected and will leave the reader cheering for more. Serial Killers don't always get away with murder, no matter how hard they try.

CREEP, is the first story in an exciting and gritty new psychological thriller series. Cassandra: Hunter of Darkness, is a hero to the victim and a merciless angel of death to the evil ones. A killer of killers, she strikes fear into the hearts of those who get their kicks off hurting others. Join Cassandra on her quest for justice and revenge as she begins her journey into the dark underbelly of serial murder and takes care of business as only she knows how.
A reader's review  

"5.0 out of 5 stars A New Horror Mythos Begins  
May 18, 2013 by Vincenzo Bilof
Format:Kindle Edition
An origin story drenched in blood, "Creep" is an excellent precursor to an intriguing premise. By reading the title and the story synopsis, readers will know what to expect from this tale, but Cook's method of introducing his new brand of madness is where the intrigue lies.

Cassandra's development is the result of the detailed writing that Cook uses to capture the sensory deprivation and overload; emotions broil over in stomach-churning revelation. The story is a moment of self-discovery for Cassandra; with so many torture movies and stories on the market, the audience is quite familiar with this scenario. However, this story is the chrysalis; Cassandra's physical and emotional transformation is revealed through the amount of detail Cook pours into the environment around her. On the literal level, "Creep" offers visceral scares and bestial symbolism to explain Cassandra's moment.

Read by itself without any further context, "Creep" stands by itself well enough. It's a quick read if you allow yourself a quiet, dark place to read with low light. Cook continues to improve as a writer; there are still some moments / actions that are characterized through "telling" rather than showing, but this remains a personal preference of mine. Personally, I don't think Cook necessarily has to include this origin story in the upcoming novel; it can be referred to in scattered flashback moments, because this is rather a complete episode in Cassandra's life.

Considering what the story is designed to achieve/explain, Cook delivers upon his promise: the terror is personal and life-changing for Cassandra, and he explains why with well-crafted imagery and moments of revulsion.

Side note: Cook included one of my favorite scenes from his highly recommended novel, "Blood Related." There's enough entertainment value in this package to turn lovers of serial killer horror into William Cook fans"

DEVIL INSIDE (E-BOOK SHORT)

http://www.amazon.com/Devil-Inside-William-Cook-ebook/dp/B00B3OCVMC/ref=la_B003PA513I_1_8?s=books&ie=UTF8&qid=1405902970&sr=1-8

About Devil Inside


Devil Inside is a short horror story that will leave you wanting more. Graphic and descriptive, the tale winds itself around a young boy who discovers that when you make a wish, you better make sure you really want it.

Horror, Violence, Supernatural, M15+

Short Story + 4 x Poems + Excerpt from Blood Related (novel).

A reader's review 


“5.0 out of 5 stars Edge of My Chair Horror
December 21, 2013 by Diane J
This review is from: Devil Inside (Kindle Edition)

I am very picky about my horror. I have been hooked since I read Poe in High School. William Cook is one of the best writers in this genre that I have read. From the minute I began reading Devil Inside, I was drawn into the world and mind of the young main character, Jacob. The story builds in suspense and mutilations flawlessly, ending in an exceptionally gratifying outcome, at least for me. William is a master of the genre. I am going to get every book, story and poetry piece he has written and indulge in a blood bath of intense, unrelenting fiction. Bravo!”

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