Showing posts with label Lee Murray. Show all posts
Showing posts with label Lee Murray. Show all posts

Guest Post = Land of the Long Dark Cloud - Writing Dark Fiction Down Under by Dan Rabarts

Hi all - as you may or may not have noticed I have not been posting much lately. Largely due to the completion of my Masters thesis, my fiction writing and posts have been on hiatus. Now, I am back but this time I thought I'd try something a bit different by opening up my site to some fellow authors. The first guest post I present to you is from fellow countryman and all-around good guy, Dan Rabarts. Dan is a writer of the dark stuff along with excursions into fantasy and further afield. Here he offers us an interesting perspective on his recent work as it relates to possible sources and origins of inspiration, found in the locale and characteristic anomalies of life in New Zealand. If interested, I myself discuss the 'dark' aspects of New Zealand literature here in a recent interview with fellow writer and Dan's co-author, Lee Murray.

Give the below article a read and check out Dan's books via the links - you won't be sorry, he really is the real-deal and his stories will resonate with you long after you've finished reading them.


Also, please make sure to subscribe to this blog/website to stay tuned for the next post (if you subscribe now you also get a free digital copy of my collection, Dreams of Thanatos: Collected Macabre Fiction) - links to the right or click here.

Without further ado . . . here's Dan. 

New Zealand Horror Fiction - Does It Exist?

Recently I had the pleasure of talking with fellow New Zealand author, Lee Murray. She asked questions - I responded, oh yes, that's right, it was an interview! And here it is (please make sure to check out Lee's great blog and subscribe). Thanks for reading.

Welcome William! Give us your personal definition of horror. How would you describe it: blood curdling spatter, or through the looking glass, darkly? 

I’m not sure my personal definition of horror is different than standard definitions, but here goes: Horror, in its many guises ‒ fiction, cinema, real events ‒ is a highly subjective phenomena directly related to the individual’s own interpretation of things that inspire fear in the imagination. Fear is the greatest component of horror as an experience. The fear of losing one’s life, the fear of someone close to you losing their life, the fear of a threat that borders on the incomprehensible . . . and so on. Horror is an experience that builds in the mind with the enormity of its potential effect on the individual. It is apprehension that builds terror in the imagination, to the point where madness threatens to eclipse the fear with the suffocating and sublime realization that our greatest fear is real and present. The imagination is a huge determining aspect of the scope of the horror experience; and an essential ingredient that must be considered when writing horror or portraying it [horror] cinematically. If the author cannot engage the reader’s imagination, to the point where the reader can visualize and emotionally trigger their own fears in response to what is in front of them, then the author cannot hope to instill fear and thereby ‘horror’ in their writing. As Arthur Conan Doyle suggested: “Where there is no imagination, there is no horror.”

https://www.amazon.com/William-Cook/e/B003PA513I

My view is that good, well-crafted, horror must create an emotional and intellectual response in the reader that both engages and entertains. It is not enough to bombard the reader with ‘gore for gore’s sake’ or gross depictions of violence without basis or necessity as part of the story – horror, must build to the point where it is inescapable, where the reader has not become desensitized to the point where at the intersection of plot, action and narrative, they feel nothing. It is in the apprehension and the emotional interplay of fear where the best horror lurks. It is a rare skill for an author to be able to build an experience of horror, which gains purchase via the reader’s subjective experience of fear; that triggers a deep intellectual response which, whilst frightening, also provides an element of resolution or satisfaction in the experience.

The confrontational aspect of horror fiction (and film) can either harm or heal depending on how it is done. For example, I distinctly remember, after reading Stephen King’s The Shining, the thrilling but exhaustive feeling that coursed through me as I put the book down for the last time. The story replayed in my mind and my heart beat rapidly as I marveled at the effect that the book had on me. Tied in with my emotional response was a sense of accomplishment: that I had got all the way to the end of this massive book, that I had confronted all the terrible ghosts that haunted the Overlook Hotel, that I had battled the demonic hedge-maze monsters and that I had survived the worst monster of all, the frightening and all-too-human monster, Jack Torrance. It wasn’t a quick read, it didn’t have an abundance of gore and gross-out violence, and the horror experience wasn’t completely realized until the final chapter where it seems as though everything has worked out well for Halloran, Wendy and Danny after the tragic death of Jack and the destruction of the hotel. There is that lingering sense that beneath the surface, beyond the brightness of those who ‘shine on’, the darkness threatens to return.

So, in light of my own personal opinions about horror, you have probably guessed by now that I prefer ‘quiet horror’, the kind that creeps up on you for maximum sublimity. I also like reading more visceral and extreme horror by authors like Edward Lee and Jack Ketchum, but I don’t get the same response to it as I do with more subtle and intricately crafted works like King’s The Shining, Susan Hill’s The Woman in Black, or Ghost Story by Peter Straub.

In many countries, genre fiction is considered the stepchild to mainstream literature, and horror even more so. Do you think this true of New Zealand? [And what can we do?]

Mention NZ Horror and most people would cite Peter Jackson as being its main proponent. Indeed, the history of NZ Horror is evident in a relatively short film history dating back to the late ‘70s, but not so in the history of our literature. Examples of works exhibiting various tropes and themes found in international mainstream horror fiction can be traced back through select works by some of NZ’s leading writers of their day. The likes of past (and present) NZ literary notables: Maurice Gee (Under the Mountain, and Firestarter), Ronald Hugh Morrieson (The Scarecrow), and Katherine Mansfield (The Daughters of the Late Colonel). All had elements of the horrific in their work, usually of the quasi-gothic variety with dark and ghostly romanticised scenes. Indeed, many of New Zealand’s leading fiction authors have been noted as having various ‘dark’ themes, a synchronicity shared with our cinematic productions. Much has been made of the Kiwi Gothic, but usually only in reference to film in this country:

The Kiwi Gothic constructs New Zealand not as a place of some pastoral idyll but rather as an environment where danger and horror lurk everywhere. The Antipodean gothic is generally considered to be an expression of the settler anxiety that derived from the confrontation with a hostile and alien environment, such as the native New Zealand bush. Unlike the European gothic, which often tells ghost stories set in old castles, the Kiwi version of the gothic often deals with alienation, family traumas and uncanny experiences in very familiar places.
The concept of Kiwi Gothic in NZ cinema can be quite easily aligned to our fiction.  The same characteristics and tropes are readily available in most contemporary NZ fiction. Unfortunately, the best and brightest of New Zealand authors of dark genre fiction have found more success overseas than here in our own country. I don’t even think that the literary elite of this country even consider horror to be a literary genre, let alone a part of the NZ literary canon and in some ways they would be correct. We don’t really have a firm tradition of stereo-typical horror fiction being written in this country (or at least being set here in NZ). I can’t recall ever reading or seeing a book written by a New Zealander about werewolves, zombies or vampires, roaming about our green countryside.

News and FREE EBOOK giveaways

Hi All - it's been a while I know, so as a way of thanking you for sticking around I've got some free books for you! Things have been really busy lately with research for my Masters thesis well underway. The title of my dissertation is 'The Evolution of a Genre: the Rise and Rise of Serial killer Fiction. As you can imagine, the research and writing on this topic fits well within the scope of my fictional work as well, so it should be an interesting and engaging ride. Let's just hope that my supervisor likes the subject as much as readers of my books do! Other current projects include continued work on the sequel to 'Blood Related' (a novel titled 'Blood Loss'), the second volume of 'Secrets of Best-Selling Self-Published Authors' as well as an omnibus edition that collates both volumes (1 and 2) plus additional material. 

In other news, I have recently been interviewed. If you're interested in reading these you can view them respectively, here and here.

The last item I have today is a REQUEST FOR REVIEWS! Sorry for shouting, just wanted to make sure everybody heard (wink, wink). If you have read any of my books, please take a minute to drop a short review on Amazon (author page link) and/or Goodreads. If you'd like to become part of my review team, please send me an email and I'll gift you a review copy of your choice. 


Reviews are what drives new readers to my books and to all the other indie authors out there struggling to make a name for themselves. Believe me when I say that without your help, I am nothing. Sure, I would keep writing nonetheless (without reviews) because it is my passion and I can't seem not to write, but a fair review is what helps me as an author improve and to see what readers actually want to read more of. So thank you to those of you who have read my work and reviewed it and to those of you who will (hopefully) leave a short review after reading this. You rock!!!

Anyway, here they are - today's freebies just for you. Just click on the image or the link beneath to download your free copy/s (U.S. + U.K. Links included)


DEAD AND BURIED

Ever been bullied? Ever been dead and buried? Ever been a ghost?
Donny is sick of everything, at home and at school. Most of all, he hates the bullies who have made his life a living hell. Strange things have been happening in the Cox household – Donny’s mother has mysteriously disappeared and his drunken father has been acting more strangely than usual. Donny’s little brother Max is relying on him to find their mother and to protect him from all the things little kids need protecting from. The local gang of thugs is intent on making Donny and Max’s lives as miserable as possible. They will resort to almost anything to make the Cox brothers’ suffer. What the bullies don’t consider, is the possibility that their cruel actions will have consequences far beyond their realms of imagination.





DEATH QUARTET

DEATH QUARTET (A Selection of Short Horror Fiction & Verse) is an eclectic miscellany of psychological horror stories, poems, and ephemera, wherein the subject matter relates to the study of homicide and the aesthetic portrayal of such an act. In other words, themes of death and murder abound in this horrific collection brought to you by William Cook, author of macabre fiction and the novel ‘Blood Related.’ 





CREEP

Be careful who you get into a car with, even if that car is a taxi!
A dark story of a young girl's date with death. CREEP is a story that will leave you on the edge of your seat until the gripping climax which is unexpected and will leave the reader cheering for more. Serial Killers don't always get away with murder, no matter how hard they try.





ONE WAY TICKET

Fast Train To Hell . . .
From the belly of the swamp issues forth a visit in the middle of the night, from a force as dark and unimaginable as hell itself. Poor pig-farmer Abel Laroux, must battle the demons of his past as well as the nightmarish reality of the present, as he confronts a devilish visitor who has come to collect on an outstanding debt. Grab your ticket now for this horrifying journey into a hellish nightmare!





Hope you enjoy these free reads (download 'em quick - two days to go!). Best wishes and please remember to subscribe (click on image below) for the next post/s and another free book. Have a great day.

 

 

#freebooks, Interview, news, william cook, Dead and Buried, Death Quartet, One Way Ticket, CREEP, Lee Murray, Roadie Notes, Book Review Request, #reviews, 

Exciting News: William Cook’s Horrorpreneur Newsletter on Substack is launched!

Dear Readers, First, let me say how truly grateful I am for your ongoing support as subscribers to my personal website here at www.williamco...