Showing posts with label Secrets of Best-Selling Self-Published Authors. Show all posts
Showing posts with label Secrets of Best-Selling Self-Published Authors. Show all posts

Blood Related Now Available in Print & Ebook + FREE Book Promo & News

Hi everyone  - hope all is well with you and life is going swimmingly. I have some exciting news to share today. Finally, the redux version of my debut novel, Blood Related, is available in both print and EBook exclusively through Amazon (U.S. & U.K. links below). After getting the rights back from my previous publisher I decided to self-publish through my imprint, King Billy Publications. With much research and debate I decided to go for it! I had it professionally edited and formatted, I cut and trimmed and shaped it, into a more fast-paced, tension-filled, thriller novel. I am very happy with the results and hope you guys will like it too. If you're uncertain, check out the free preview on Amazon to get a taste for the novel. Hopefully you'll enjoy it enough to leave a review which would be a great help (wink, wink). I have set the price low for the first month on Amazon ($2.99 - Kindle, $12.99 - Amazon print) so get in quick before it goes up at the end of August.




I have had the good fortune to receive some fantastic blurbs/reviews from some of the leading authors in the Horror and Thriller genres. This is what Graham Masterton, best-selling author of The Manitou and The House That Jack Built, says about Blood Related: "William Cook tells a gruesome story with a sense of authenticity that makes you question with considerable unease if it really is fiction, after all." Joe McKinney is another best-selling author who read Blood Related and offered this fantastic blurb: "This man is simply scary. There is both a clinical thoroughness and a heartfelt emotional thoroughness to his writing. He manages to shock as well as empathize, to scare as well as acclimatize, yet beneath it all is a well read intelligence that demands to be engaged. I loved Blood Related. Ordinarily I hate serial killer stories, but William Cook won me over. He is a unique and innovative talent." 

 
Here is the blurb and the new links for the book. Remember if you get in quickly you can get the book now at the discounted cost before it goes up end of August:

For over two decades, Detective Ray Truman has been searching for the killer or killers who have terrorized Portvale. Headless corpses, their bodies mutilated and posed, have been turning up all over the industrial district near the docks. The remains of young female prostitutes have been the killer’s victims of choice, but now other districts are reporting the gruesome discovery of decapitated bodies. It seems the killer has expanded his territory as more ‘nice girls’ feel the wrath of his terrible rage. This horrifically disturbing tale of a family tree of evil will embed itself in the mind of the reader, long after the last page has been turned. A crime thriller in the vein of other power-packed thrillers like Thomas Harris's 'Silence of the Lambs' and James Ellroy's 'Killer on the Road.'

Meet the Cunninghams . . .
A family bound by evil and the blood they have spilled. The large lodging-house they live in and operate on Artaud Avenue reeks of death and the sins that remain trapped beneath the floorboards.

Meet Caleb Cunningham . . .
Caleb is a disturbed young man whose violent father is a suspected serial killer and mother, an insane alcoholic. After his Father’s suicide, Cunningham’s disturbing fantasy-life becomes reality as he begins his killing spree in earnest. His identical twin brother Charlie is to be released from an asylum and all hell is about to break loose when the brothers combine their psychopathic talents. Eventually stepping out from the shadows of his murderous forebears, Caleb puts in motion his own diabolical plan to reveal himself and his ‘art’ to the world. He’s a true aesthete. An artist of death. His various ‘installations’ have not received the status he feels they deserve, so Caleb is expanding his ‘canvas.’

Meet Ray Truman . . .
A tragic cop whose personal demons won’t let him rest. Overworked and underpaid, Truman is tenacious as a pit-bull. He won’t rest ‘til he’s brought to justice Portvale’s infamous serial killer. His battle with his own demons gives him the strength to chase the shadows and to cut corners when necessary, as he embarks on the hunt of his life. His search leads him to the Cunningham’s house of horrors. What he finds there will ultimately lead him to regret ever meeting Caleb Cunningham and the deviant family that spawned him. The hunter becomes the hunted as Truman digs deeper into the abyss that is the horrifying mind of the most dangerous psychopath he has ever met.
Warning: R18+ contains adult content + graphic violence & psychological horror.




Did you grab your copy? Great (and thank you).


Anyway, in other news, I have just lined up the next mob of authors for my popular interview series - 'Secrets of Best-Selling Self-Published Authors.'* The first series, including authors: Matt Shaw, April M Reign, Mark Edward Hall, Russell Blake, William Malmborg, Matt Drabble and Michaelbrent Collings, was such a hit that I will continue it for as long as there are best-selling self-published authors out there (long may it last). As a result of the success of the first series I have edited and compiled the interviews into a book that will be released early August. Along with the original interviews, there is a significant essay written by myself and in-depth analysis of each author's tips and their individual success stories. This book is essential reading for any author who is thinking about venturing into self-publishing and for self-published authors who are looking to lift their game and increase their sales and online presence. It will also be of interest to fans of these authors and anyone interested in the process of writing and/or self-publishing. Check out the interviews here and stay tuned for the opportunity to pre-order on Amazon. The new line-up of best-selling self-published interviews, includes the following fantastic writers: David Moody, Iain Rob Wright, Armand Rosamilia, Michale Bunker, J Thorn, Jeremy Bates, Michael Bray and Michael Thomas. The next run (yes, there will be more) I hope to bring you more successful female self-published authors. 

*Personal invitation: if you are a best-selling (paid, not free rankings) self-published author and would like to be part of this project, please leave a comment below or email me here.



Thanks again for reading my blog/website and I hope you take advantage of the various things on offer today. If you haven't subscribed already to this site, please do so now and receive a FREE copy of my popular collection of macabre tales, 'Dreams of Thanatos.' Just click on the image below or click this link here.

Grab Your FREE Copy Now!

 As a final bonus, here's another freebie for you. Have a great week. 

Until next time.





PERMA-FREE - GRAB A COPY NOW! 

Fast Train To Hell . . .
From the belly of the swamp issues forth a visit in the middle of the night from a force as dark and unimaginable as hell itself. Poor pig-farmer Abel Laroux, must battle the demons of his past as well as the nightmarish reality of the present, as he confronts a devilish visitor who has come to collect on an outstanding debt, inherited by Abel from his forefathers.

Bonus Features: Includes an excerpt from the author's novel, 'Blood Related' + the long poem 'The Temper of The Tide', in its entirety.

Warning: contains adult content + themes of supernatural & psychological horror.



AMAZON U.K.







#Amazon #FREEKINDLE  #Horror  #Kindle  #mystery  #novel #psychologicalthriller  #thriller  #ThrillerNovel  @Amazon, Amazon, Blood Related, Secrets of Best-Selling Self-Published Authors, 


Secrets of Best-Selling Self-Published Authors #7 - William Malmborg

Today I bring you the final long-awaited interview in the popular series Secrets of Best-Selling Self-Published Authors. Today's guest is author William Malmborg who is a successful writer of dark psychological horror/thriller fiction. From William's Amazon bio: "William Malmborg has been publishing short stories in horror magazines and dark fiction anthologies since 2002. In addition, four of his novels, JIMMY, TEXT MESSAGE, NIKKI'S SECRET and DARK HARVEST, are all available, as is a short story collection titled SCRAPING THE BONE that features five previously published and five original tales of horror. When not writing William caters to the whims of Toby and Truman, two cats who reside with him in Wheaton, IL."






Who are you and where do you come from? Do you think that your life experience has gone someway towards making you a successful author in your chosen genre?



My name is William Malmborg and I live in the Chicago suburbs.  It's hard to say whether or not my life experiences have played a part in my success simply because this is the only path I have taken.  I came into the publishing world during an interesting time.  For the first five years of my career, magazines were still printing stories and you submitted everything via the mail.  Social media wasn't a thing yet, and I had my first story published by a magazine before I had an internet connection on my computer.  During the second half of my career, magazines began to disappear, many of them with stories of mine that were supposed to be published, and publishing houses began to get goofy.  And then ebooks hit the marketplace, which opened up a whole new road toward publishing success.  Given all this, I think the fact that my first several years were spent in the trenches of the traditional publishing world – interacting with editors at magazines, facing rejection with work that wasn't ready for publication, and having other stories bought and published that were ready – helped in giving me an edge when the ebook marketplace arrived.            



Did you try to get publishing contracts for your books early on with traditional book publishers? If so, did you have any success there or if not what was it that made you decide to self-publish the majority of your work?



For the first ten years of my writing career, traditional publishing was the only real route an author could take if they wanted to make a living.  During that time, my short stories sold frequently to horror and suspense magazines, but my novels had a difficult time.  Just having a publisher agree to read the first fifty pages seemed a monumental success, and if they then wanted to read the entire thing . . . well, let’s just say that such was so rare that it in itself was a moment worthy of celebration. 



My novel JIMMY was the one that I strived the hardest to have published during that early period of my career, though I did have others, TEXT MESSAGE, SIMPLE LIES and THE MISSING KID, which publishers looked at as well.  Nothing was ever accepted during those early years of submission, the typical reason being that the editors felt the serial killers within my novels were too likable, and that readers would have a difficult time dealing with that.  “Who do they root for?” was a common question they asked.  Year after year, this went on, until finally Don D’Auria at Dorchester Publishing informed me (a year after I had submitted the novel) that he really enjoyed JIMMY, and that he would like to make an offer on it.  First, however, it needed some rewrites, specifically the portions of the novel written in the interview format.  He wanted the entire thing as a third person novel.  Two months later, I sent him the new version of JIMMY, one that was actually better than the original version had been.  Following that, sale imminent, I went on to do some self-imposed rewrites for TEXT MESSAGE, because I felt that would be a good follow up to JIMMY.  This did not happen.  Dorchester Publishing started to spiral toward bankruptcy before JIMMY could be published, and while I stuck with them for nearly a year, I eventually did the right thing and took the novel elsewhere.



Following that, thinking other publishers would be interested in having a novel that had been ready for publication with another publishing house; I began sending queries for JIMMY to everyone that was accepting proposals.  Each one was rejected.  No one was interested in JIMMY, which really surprised me.  During that period, I began to hear success stories from authors that were uploading titles to the Amazon Kindle.  Intrigued, I did as much research as I could on this new method of publishing, and then, once I made the decision to jump in, hired a well-known artist to create a cover, and uploaded it.  A few months later, it was a bestseller on Amazon and had made me more money during that short period of time than I had made in the first ten years of my writing career combined.     



Why self-publish?



I self-publish the majority of my work simply because it is the most logical and profitable method of delivery within the US right now.  With foreign language editions, I still use traditional publishers within the countries where the titles will be released since they know their markets the best.  



Once you have decided that self-publishing might be your route, what financial and artistic considerations should you keep in mind before you begin?



One of the biggest misconceptions of self-publishing is that it carries no overhead.  After all, with print-on-demand, the printer only has to print copies as they are ordered, and with ebooks, it is nothing but computer code that is stored within a device.  However, there are other costs to consider, upfront ones that are important in making it so the book will be noticed by the public and enjoyed once it is read.  The first cost; the cover.  If you want to be treated like a professional author, one whose work is going to stand alongside authors who have major publishers behind them, then you need to have a professional create the cover.  Poor covers are the most common reason why books are passed over when a potential reader is looking for their next fix.  It doesn’t matter how amazing the writing within is, if people aren't going to pick it up and open it, it might as well be four hundred blank pages.  Second: editing.  You need a professional to look over your work once it is completed.  Mistakes happen and it is nearly impossible for an author to catch their own when they have lived with the work, day in and day out, for months at a time.  Initial sales via a fantastic cover are great, but nothing will knock a title down like poor reviews due to editing and grammar errors.  Now, will these two things guarantee success?  No.  Nothing will ever do that.  But it will make the chances of success more likely.       



What do you see as your most innovative promotional strategy?



Honestly, I don’t really have a promotional strategy.  I simply write and release the work.  Initially, I always price my new releases at 99 cents, so that the readers who have been with me from the beginning will be treated to a great deal, but after that, once the price goes up to my typical $4.99, I step back and let word of mouth do its thing.   The only exception to this is when I’m able to get a book promoted by BookBub.  When that happens, I once again lower the price to 99 cents for the days they market it and enjoy the snowball effect as the initial sales from the ad bump the title into several top ten categories, which then brings in more sales . . . 

For more of this fascinating interview, please visit Self-Publishing Successfully for full transcript.  





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Secrets of Best-Selling Self-Published Authors #6 - Russell Blake


Today, I bring to you the last in the first run of the popular interview series:  Secrets of Best-Selling Self-Published Authors. This interview imparts a lot of valuable wisdom that serves as a nice summary to this series. Russell Blake is a best-selling self-published author who has steadily climbed the sales ranks since he embarked on his prolific career. From his bio:

"Featured in The Wall Street Journal, The Times, and The Chicago Tribune, Russell Blake is the USA Today bestselling author of twenty-eight books, including Fatal Exchange, The Geronimo Breach, Zero Sum, King of Swords, Night of the Assassin, Revenge of the Assassin, Return of the Assassin, Blood of the Assassin, The Delphi Chronicle trilogy, The Voynich Cypher, Silver Justice, JET, JET – Ops Files, JET II – Betrayal, JET III – Vengeance, JET IV – Reckoning, JET V – Legacy, JET VI – Justice, JET VII, Sanctuary, Upon A Pale Horse, BLACK, BLACK Is Back, BLACK Is The New Black, and BLACK To Reality.
Non-fiction includes the international bestseller An Angel With Fur (animal biography) and How To Sell A Gazillion eBooks In No Time (even if drunk, high or incarcerated), a parody of all things writing-related.
Blake co-authored an action/adventure novel, The Eye of Heaven, with legendary adventure author Clive Cussler, to be released by Penguin in September, 2014.
Blake lives in Mexico and enjoys his dogs, fishing, boating, tequila and writing, while battling world domination by clowns.
Russell is a proud member of RABMAD – Read A Book, Make A difference."

Let's get into it, here he is, Mr Russell Blake:


You are a New York Times Best-selling author who has published most of your own work – can you tell us how you managed to get on the NYT best-sellers list? I.e. Obviously you sold a lot of books but what is it that you did to get on that particular list and receive that distinction?
I’ve been on the NYT and the USA Today bestseller lists numerous times, both co-authoring with Clive Cussler as well as with a few of my self-published efforts. I honestly don’t remember the first time, but I think it was a bundle I did that featured JET, which is also my biggest selling series.
  
Where do you get your inspiration from for your writing and for the way you brand yourself as an author?
I like to say it’s a combination of fear and desperation that drives the ideas, although the truth is that real life offers so many ideas the shortage isn’t in potential plots, it’s in the time to write them. I was a big fan of all the usual conspiracy thriller authors when I was growing up – Ludlum, Le Carre, Higgins, Follet – and so when I decided to try my hand at writing I gravitated toward what I read. I mean, I also love Tom Harris and Stephen King and the usual marquee names, but I cut my teeth on conspiracy/espionage thrillers, so that’s what I started with, and it later evolved into more of an action thriller thing, a la James Bond-ish fare. As to my branding, I struggled initially, because I wanted to avoid being pigeonholed as any one thing, but I quickly figured out that you need to be able to quickly summarize who you are for readers, as in, at a glance, or for many it’s just too muddled and they move on to something that’s clearer. As an example, Clive Cussler, you know exactly what you’re getting. Robert Ludlum, same thing. So I wanted to brand myself the go to guy for action thrillers, which is what I ultimately focused on. Ironically, I’ve written noir mysteries with my BLACK series, which does very well, and have tried my hand at everything from NA romance under the R.E. Blake pseudonym, to conspiracy fare like Umberto Eco and Dan Brown write, but what I think most identify the Russell Blake brand with is action thrillers, which is how I prefer it.
  
How important do you think non-fiction titles are to self-published authors hoping to enjoy best-selling status? I.e. Do you think that your non-fiction titles have helped your fiction sell and/or vice-cersa? 
 My non-fiction have done zero for my fiction. If anything, that was one of the early lessons I learned: target a genre with laser focus and establish yourself in that genre. Don’t dick around trying to be all things, be really, really good at one thing and become known for it, then, if you want, try branching out – but only after you’ve made your mark and are well established in your target genre. Don’t genre hop, don’t get distracted, and most importantly, make it very easy for your reader to know what they’re getting when they buy one of your books. You bounce around, you’re a question mark, and life’s too short for most to guess what you’re going to deliver next.

You are a best-selling Amazon author – can you pinpoint what it was that spiked your success to date? Apart from the writing is there anything that you can isolate that helped your books climb the ranks?  
Sure. I remember when Amazon’s Select program first came out in December of 2011, I didn’t participate in it for the first month, and then regretted the hell out of not doing so when I saw some of my buds hitting massive sales numbers after free promotions. So I put a book into the program in January, 2012 – The Geronimo Breach – and I want to say it sold five or six thousand copies after a free run, and pulled sales of my other dozen titles with it. For about six months there, it was like you could do no wrong with Select and a free run because of how the algorithms treated the free downloads, and you’d shoot into the top 10 on the Amazon store as paid after it was done. That visibility brought thousands of sales of a title, and because I had so many titles I could run a Select promo on, I was able to do a new title every three weeks or so and restart the cycle. By the time the algorithms softened somewhat, I’d already had ten or twelve bites at that top 100 apple, and the sales became self-sustaining as readers began trusting the brand to deliver what they wanted. But I think it really turbocharged when I released the first four installments of my JET series in Oct-December of 2012. It really went massive from that point on, and I remember spring of 2013 I was pinching myself at the sales figures every month. Those were truly the good old days.
  
For more of this fascinating interview, please visit Self-Publishing Successfully for full transcript.
 

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Secrets of Best-Selling Self-Published Authors #5 - April M Reign



Today we have a very special guest, best-selling author, April M. Reign.  This from her bio: April was born and raised in Southern California by her happily married parents. She is the oldest of three daughters and considers both of her sisters to be her best friends. Growing up, she was involved in many sports: softball, surfing, tennis, and Kenpo karate. Many weekends at the beach with her family included her father packing up the long boards and teaching all three daughters how to ride a wave. The activity that stands out the most for her is the thirteen years that she spent studying karate with her family. The family’s karate days remain as some of her fondest memories. Sports weren’t the only activities that she enjoyed. She played the accordion for twelve years and even played for Jerry Lewis kids fundraisers. During those years, she learned how to read and write music.
       Besides writing music, during her high school years, she also discovered her passion for writing words. At fifteen, she began writing poetry. By the time she reached the age of twenty, she was writing short stories, with no other intention than to get the stories from her mind to paper. At twenty-one years old, she married and shortly after, two handsome sons graced her life. When her marriage ended, she faced the long, difficult path of raising her two boys into strong, well-mannered young men. She took on the task with fervor. In order to support her children, she worked as a litigation analyst for ten years at a large company and began to pursue a career in law. After long hours in college and even more hours at the law library, while still raising her children alone, she realized that practicing law was not the dream that she wanted to live. She spent the next eleven years as a U.S. Customs Broker, working directly with the FDA and FWS, clearing international shipments into the country. While she worked full time and raised two adolescent boys, she also decided to follow her dream to write a book. A year later, Enticing the Moon was published. Since then, she has written more than 25 novels and several short stories, and has entered many writing contests, winning first place on several occasions. As an indie author, April M. Reign writes and publishes her own books. With the increase in her book sales, she was able to give up her job in the corporate world and pursue her dream of writing stories, which she hopes capture the attention and intrigue of her readers.
      And here she is, sharing much valuable information for those of you interested in the writers' life and Self-Publishing.







Where do you get your inspiration from for your writing?


Oh William, there are so many things that inspire me. A dream…a conversation or even a newspaper article can strike up my creativity. However, writing full time can be a lonely job. Therefore, I use my travel vlog, Uncovering California, as a major source of inspiration.


On my vlog, we’ve stepped into an abandoned insane asylum, ventured on a deserted [island] hike to a 1961 abandoned shipwreck, took on haunted cemeteries, and captured the abandoned, yet famous resort, The Salton Sea, where there were three inches of fish bones resting on top of the sand. One adventure to a 1700’s plantation in New Orleans gave us the opportunity to capture on film the same spiritual Orb in two different places on the plantation. It’s those adventures that thrust me into my deepest creative mode. 


Where do you get your inspiration for the way you brand yourself as an author?


This is such a great question because I think many people miss the opportunity of branding. I’ve come to realize that writing is the easiest part of this industry and being an indie author who wears many hats is the hardest.


So what is branding and how do I go about it?
Every successful business has a brand and it starts with that reliable logo that makes the consumer feel safe. Amazon, Apple, Mc Donald’s, and Best Buy among a plethora of others have that one logo that gives us, as the consumer, comfort while differentiating them from others that may sell the same service or product.


What does that mean for Indie authors?
It means that your branding should set you apart from the millions of other authors out there as well as give your readers a sense of trust and security when they pick up your books to read. And this is just a tiny part of branding.

When my readers pick up my books, I want them to trust in the quality and consistency of my work. When they see the AMR logo, I want them to get a sense of excitement knowing that my story will have action and intrigue.

Branding isn’t tangible. It’s a feeling, emotion and sometimes physical need provoked by your brand on to the consumer. I’m going to release some free pamphlets on branding and many other things when it comes to being a successful indie author. I encourage your readers to visit my website over the next two months to grab these important downloads that will take a writer from conceiving a story to writing the story to marketing and discovering success.  


Did you try to get publishing contracts for your books early on with traditional book publishers? If so, did you have any success there or if not what was it that made you decide to self-publish the majority of your work?


Originally, I did NOT try to get a publishing contract. What was a publishing contract? My once naĆÆve mind thought writers like Stephen King and Nora Roberts only got things like that.


I’ve always been a writer but my first book, I wrote for my family. Having no idea how to go about obtaining a publishing contract, I used a vanity press to publish my book, so I could hand the paperback out to family and friends. After I wrote my second book, I discovered Amazon’s self-publishing platform. The first month that my book was live on Amazon, I made $90.00. That was an exciting time. The second month it had increased to $423.00 and by the third month, I’d reached an unconceivable amount of $1500.00.


Why would I go to a traditional publisher?
Because. Like every writer, in the early stages of our craft, we want validation by a company of people that may know more about the industry than we do. So, I submitted my third book to a mid-sized publisher. I got an email back stating they were interested, but they wanted me to re-work my first chapter. I cringed. That was the only chapter they had read so far.


I’d already had the taste of being my own boss, and being my own creative team. I thought long and hard and realized that whether they were right or wrong, I didn’t want to give up that side of my creativity. I wasn’t ready to turn over my work and have it torn apart (not in editing, I’m okay with that) in storyline, title or vision. I published my third book and watched my sales on the 6th month go from $2400.00 to $3600.00. This was a dream come true!


Why self-publish?


Self-publishing or traditional publishing is a personal journey. As stated above, you know which journey I chose and the reason why. I encourage new writers to consult themselves, their needs, their goals before making the decision. 


Once you have decided that self-publishing might be your route, what financial and artistic considerations should you keep in mind before you begin?


This is going to sound strange but I think it plays a big part in how successful you are as an indie author.


Are you a controlling person or are you able to let go of work and delegate?
Either one can be successful, but if you’re controlling and you go against your nature by letting go, you may spend most your time worrying if things are getting done right. With that said, if you’re able to let go, but you try and do it all, you may become overwhelmed with the various outlets you’ll need to know in this industry.


So, first, determine your personality. If you want to take on all the work yourself, you’ll save money but lose time. Let me say that again: YOU’LL SAVE MONEY BUT LOSE TIME! Keep in mind, in this business, time is valuable. When you lose time, you’ll have to set your writing aside to accomplish the other demands of indie publishing.


What needs to be done after the story is written?


·      Editor
·      Interior formatting for eBook
·      Book cover Design
·      Publish on various platforms
·      Promotional setup and planning
·      Interior formatting for paperback
·      Paperback book cover design


These are a few of the things that you can do yourself or outsource to a professional. Keep in mind, if you’ve never done graphic design before, your book cover will probably not look as professional as you want it to look. Also, editing is a must and formatting is important. As I stated earlier, remember branding.  You don’t want readers to see your author name and cringe because they know the interior will be completely off or the editing will be non-existent.


Your name. Your brand. Your decision.
Those free pamphlets I talked about will have a deeper list of duties as an indie author plus links to places where you can start to hire your team, or learn to do those things yourself. They will be on my website and launched over the next two months.


What do you see as your most innovative promotional strategy?


There are so many strategies that an indie author can use to promote their work. I don’t have a “most” innovative strategy because we’re in a very noisy world on Amazon and social media, so it’s been trial and error for me.


Some things have worked like a charm and others have left a lot to be desired. In the end, I’ve put together a list of those do’s and dont’s according to my years of experience. There is one amazing promotion that I did, which garnered 23,000 downloads in 4 days. It was a remarkable strategy that I will share with you on those free pamphlets I’ve talked about . . .
 
For more of this fascinating interview, please visit Self-Publishing Successfully for full transcript.



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 #selfpub, Amazon Best-sellers, Interview, April M Reign, Secrets of Best-Selling Self-Published Authors, Self-Publishing, Selfpublishing vs traditional publishing, William Cook, writing



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